I need this walk through the suburbs
summer heat has me a certain way
lovers have me a certain way
I need to clear my head with the zen
of weedwackers droning, an SUV’s blur and
whoosh, lawnmowers torturing the grass–
white noise, white birds, white hybrids.
walked with white sneakers in the mud
last night drunk in the rain through an alley
(originally published in RASPUTIN, Winter 2020)
a fog this white mess of morning driving out of Ohio
trees dressed for a funeral per the new norm
dilapidated barns redbrown in the green
grass corpsebrown snow an oil stain birds
couldn’t afford flights home this time their muddywater
wings a gunk on the canvas of sky
the countryside is tainted
Abbey Road scores this thread of potholes
we pass a sign Muskingum County initially read as
musking gun
how bulletsmoke
rises from pores of the greendead ground
until all we know is the death encompassing
fog clears at noon
birds ravage a halfdeer
carcass
(originally published in South Florida Poetry Journal, Summer 2019)
in a moscow hotel room
shadow brokers partied
with stolen american
cyberweapons over the
counterintelligence
they wanted public
the americans
drank everything
and partied through
the night
(originally published in Scarlet Leaf Review, Summer 2018)
Build bridges, not walls,
though bridges ice faster
than roads we traveled–
hundreds of miles,
only to boomerang back
to before, while thousands of
armed windmills gasp for air–
the sunset through the bug-
stained window moves faster
than us toward a semblance of home–
swirls of clouds quivering
into the arms of weeping
willows simply
weeping–
(originally published in The Wayward Sword, Summer 2018)
The whole year has been hurricane season
in this nation of bayous haunted by ghosts
of cowboys shooting bullets into the clouds,
gunsmoke in the air, then a disaster of rain.
Save us, God, from these dark clouds looming–
there are too many more bodies to save.
(originally published in The Los Angeles Review of Los Angeles, Summer 2019)
When lightning strikes a distant tree
I lift my hands from the steering wheel.
Hail knocks on the windshield–
a desperate stranger. Curled in fleece,
I hide behind windows, the past
a gathering flood until the sun
bares terrible fangs
of clarity and renewal.
(originally published in Rust + Moth, Autumn 2018)
There’s a vast swath of land infected by the living
dead. The desert, the plains, the cities– all beheld
by glow of screen, and we’ve dug holes too deep
for bodies. Just pray there are no more casualties,
no gunshots, no cars striking crowds, whether in
the USA or Spain– all of this is beginning to look
universal, the hatred of our own. How we pay
for the debt the nation’s entrepreneurs designed.
There’s an endless spate of horror
films upon which to feast our eyes but look
at the people walking down your street harboring
the fears society cannot afford. There is still
ample land to lay graves– land founded on holes
we placed bodies in yet we distract ourselves
with everything, looking for the next lark
to keep us living. Under blankets in living
rooms with lovers, under stars aglow through
open window, we watch the drama unfold.
We know the protagonists will always
find a way out of suffering.
Those through the window never do.
(originally published in The Rising Phoenix Review, Winter 2017)
The taco meat I seasoned
gets drier by the day. I add ghost
pepper though I do not do well
with high spice. I have no self-
control– four, five, six tacos
at a time– dry beef, cheddar,
heat– the ghost eventually
haunts, tongue in flames.
Last week I drank Long Islands
with a former lover and ended
in a park of hills at 2 A.M.
I lost my glasses in the grass,
but she called me baby one last
time. Everything was blurry, dark,
when I kissed her goodbye
in her apartment, slept in my bed
to the whir of the ceiling fan.
The next morning I called
my girlfriend, told her I loved her
but the words burnt my tongue.
(originally published in taxicab magazine, 2018)
to cut immigration
is to cut me half
-Filipino I am already
halved quartered diced you take
a knife to my mother she keeps
a knife at her neck we both are
American in the blade of the word
I used to pretend to be more
my more-accepted half
to have to choose
is to have nothing
(originally published in Serving House Journal, Fall 2017)
