Interview Season

You didn’t take me seriously
when I said I was qualified.
It’s okay. Money grows

on certain trees, and people
like you pluck them leaf-
less. I want to hold the roots

in my hands, my long and
hardened hands. I want to make
a phone call on your behalf.

I wish I had a trust
fund. Someone I trust
to grow within me.

A seed that sees
how dark the world
becomes without

the light to grow,
planted anyway.

(originally published in Poetry Pacific, Spring 2025)

Industry Burnout

I am not this negative.
I look at Post-It note
days and see a march
of white beneath, my life
before me on corkboards,
dilapidated. I used
to joke easily in this junk-
yard, chasing wayward
clouds in the sunset,
in awe of our city’s
little skyscrapers
over shards of broken
bottles on asphalt.
And you’d join me,
too, running across
the parking lot,
the cars rolling
over blue bridge,
roaring, as we
were under it
at the mercy
of an aged
but comforting
infrastructure.
I don’t know
if I have changed,
or if the world
is wearier, how
I don’t even
look for the
weather when
I open
the door
to leave.

(originally published in A God You Believed In, Fall 2023)

Dynamic

Whatever power dynamic carburetor heat engine
lightning car accident awestruck hum? Sign me
off of your autographed lemons. Peach sticki-
ness on the homefront wonderwall water cooler
laughability. The job’s a job don’t make it
awkward staircase holly oxen pulling the cart
up the hill, old buffalo, the sneering stare,
the huff of whoever is there.

(originally published in Ballast Journal, Summer 2023)

No One Asked

When Josh lingers at the end
of the workday, I think of Stand
By Me
: kids’ backs covered
in leeches in the woods–
can’t push away or peel
him off, his limb-thin branches
that walk out into the dark
parking lot and back in
to bug us, again and
again, scribbling his
footprints all over concrete
in a scuffmark infinity.
I have never seen someone
so happy to have shot someone.
He returned one
weekend from Albany,
roaring with energy, eager
to tell the whole office
that burglars stole half-
million dollar lamps
from his house, but he’s
glad they did not get it
all, and how he perched
for several hours on his
staircase, alongside the fading
sun– the story convoluted
and convulsed in his hands,
the several times I heard
it told in the hallway,
in the kitchen, showing
photos of hideous antiques.
He claims to know they would
be coming. And that he
was getting updates
on the critical person’s
condition, and the words
come bursting out of his
mushroom cloud mouth
that he would have loved.

(originally published in Toasted Cheese Literary Magazine, Spring 2024)

I have been drowning in work

but the sun still floats past 8 PM
& I wonder where time went
sunk in the blue glow
of overheating machines

it is Monday
and everyone hates Mondays
because this past weekend
I went to a house concert
in the state I once lived in

only to return to the wheel
and drive a few marathons
windows open music loud
past spontaneous roadkill
and honeybee fields

last night I slept on a pile
of unsigned documents
dreamt of paper cuts
and Parochial school

I bought green bananas
for the office
and by the end
of the day
they were brown

(originally published in The /temz/ Review, Spring 2025)

The Film

Sometimes I sit at a café window
watching pedestrians pass and I think

all the people in this life I’ll never
know,
these strangers in the space

we share, an unseen assistant
director setting up the scene and

critics will leave harsh reviews for lack of
dramatic irony, or subtle comedy, whatever

the previous scene sets up, or seemed to
be leading to, but the longer I move

through its runtime, the more I fear
a lack of coherence, that Chekhov’s

son never grows into what Chekhov
demands– the boy dies a few acts

later, randomly, and still the film marches
on, aiming the lens high toward some plastic

profundity with its pervasive god
and blue sky gazing through a tall

circle of trees, leaves swaying, keyboard
guitar, so frustrating, and later will be an op-ed

from the Production Coordinator that outlines
the sacrifices needed when the rented lens

shattered, dropped from a rooftop, costing a
hundred thousand, and the producers had yelled

about budget cuts yet still wanted an endless
duration, excess cast members extricated with

no follow-up but others too much, your dead
dad referenced with each hailstorm, you grow

tired of the metaphor then sit in the park
watching people pass when a past lover

from act twenty-seven enters stage left
with a pup and you wave, a stunt, restless

limb, in case she asks, which she won’t,
she’ll avoid eye contact because she is

no longer in the contract, can’t say a word
without pay, but still she will

wonder if you are the same actor,
and I’ll have to rewind a long while

to see if you are.

(originally published in A God You Believed In [Pinhole Poetry, 2023])

Rectangular Rainbow

The clouds induce trance on the drive
home from work today. White sheep pile
atop each other on a ranch in Montana
until the weight of an oncoming storm
that never comes except for a stub of
rainbow that peeks from behind far hills.
In the open stretch of highway it reveals itself
as a rectangle floating in the middle of cerulean,
squiggly lines across it, a glitch of physics
my phone cannot capture. I text you from
the middle lane– soaring eighty– because
you love rainbows. You say you walked
around our block but could not find it.

When I arrive home I am filled with unknown,
spiritual vigor. We split a red, frozen pizza
then leave for a journey following our favorite
clouds above, on high alert for the rainbow.
Guided by pink translucent clouds in blue
outlines, you ask me holistically, what are your
career goals? I can’t stop searching upward,
awestruck by the air and rare beauty
in the world, in the center of our elevated
city of bridges and transitions and roads
that fall into each other in chaos you
must understand to survive. The sunset
is somewhere and I know our clouds
obscure it. I know my career involves
sacrifice but I am chasing film’s thrill.
The whims of our uppermost winds!
I have taken you along.

(originally published in I-70 Review, Summer 2024)

The View at Work: Dump Trucks

Look at this kingdom of garbage 
trucks. A survey underneath
the 31st St. Bridge, where I spend
my horrible days collecting.
It is Friday night and there is
pressure to deliver. I told you
nothing we do here is important,
so take a deep breath
. Smell
the compost of contemporary
capitalism. My blue brain
has ceased to need a function.
My winter is every man’s
desire for himself
. It is waiting
for my back to give and bear
the weight of the waste:
the compacted nature of my life,
squandering, squandering,
squandering the ineffable.

(originally published in A God You Believed In - Pinhole Poetry, 2023)

Some Class

Several thousand dollars
to become fancy. I wish
(upon wishes) I had
a muted suit to be
a chameleon on the
A-Train. I have sweat
in my pits and hummus
on my breath and the
world is spinning
slowly. Double shift
in opinion: the first
I am blue; the second,
confused. In all aspects
I am overworked,
hungry– eating a wrench
when I should be pulling
my own teeth out.

(originally published in The Gorko Gazette, Fall 2023)