drilling holes in the white wall
to repair the rest of the world
workshirts feed clocks’ hands
ticking forever
circular splash of rosewood paint
wound of silence spent
the loud city
will not silence me
(originally published in Eunoia Review, February 2016)
suck in the vacuous space
separating the lines of the
ceiling and the hard cross
of vagary carpet mites –
wave the dueling paintbrushes
until the rims break but ever
so coquettishly whisk
the centipede eyelashes –
twist the crescent mouth to hark
the worthy obeisance of
patriot songs in a way that
conducts mosquito perseverance –
patch the augered suitcase leaking
carrot water but do it so
the bullish cockroach shells
remain intact and walking –
reassure her that the future
is a flowing faucet unhinged
like the music of the Grecian
harmonica in gathered cicadas –
(originally published in Euphemism – Vol. 11, Issue 1)
because I repeatedly disregard that which is shaped like a diamond
to be a diamond,
I will flirt with the skateboard girl
who zooms away
& lament our love, lost
as yesterday’s blackened ganja.
living on the beach,
scraping sand
for a seagull’s Dorito–
we are crevices in the Santa Monica boardwalk.
we slip out from ourselves
without knowing
yet know ourselves sunken
deep in the tar ocean
& yet, somewhere, still there
from many years of being the ones
who collect what others discard,
making space in our own diamond-shaped boxes
(originally published in Eunoia Review, February 2016)
the room infiltrates us / fabrics and hangers / bedroom who is this / who are you i / don’t want you / to leave / i / haze / the fog / machine whirs / the pillow / smells like morning / orange banana strawberry / smoothie sweat old / and citrus / the blender whirred / like the black drawer / pulled in and / out / the routine is / the blue / sheet draped / stained forever / the blue / digital alarm / never woke us / sit / sit / black leggings / where are you going / healthy healthy / we draw lines / the visible line / the horizon / with those smoky faraway / buildings / the end is / never coming / we cannot see it / from where we sit
(originally published in The Legendary)
in the vacant living room
our packed boxes never touched,
black mold assumes the ceiling fan.
it awakens every morning
wanting to spin,
to slice into the air
with its fine blades
a surgery of breathing
and the chest waits
for your steady palm
to resuscitate
those numb nights,
when our billowed heat
cooled our voluminous bits
(originally published in Scarlet Leaf Review)
I run from exceptional red.
Distance. Majestic arches. Loop-
de-loop of common want. Canyons,
or peace of mind. Say Zen. Say
Zion. Watch as wind-up forests
spiral from sand. Leaves whisper
to their coming branches in the vacant
hinge of a song. Don’t they
still reach for you. The lonely hoodoos
eroded in failed embrace. Treble clef,
or trouble. No beats for the metered dream.
(originally published in Turk’s Head Review – October 2015)
Every road has a finite end, just mud and sky, daytime
if you’re lucky, night looming beyond the paling horizon.
Maybe there is a barren tree, branches dancing
to a slow sonata, a love song only the two of you
know, the earth calmly listening. If you can plant
your naked feet into the ground, you will hear
the earth hum as it spins faster than you will ever
move, and though it always seems like stasis, you hope
it never stops, remains a puzzle
merely a misstep from disarray.
(originally featured in Common Ground Review, Vol. XVII, Issue II)
in the future i’d be watching you smoke
cigarettes
waving your smoke away
with cleaver hands
breakfast would come
we’d slice cucumbers in the wet-
snake leather kitchen
rectangular blade neatly fit
sink-soaked
the yolk in the sandwich a little drippy
warm & familiar
the electric stampede of spiders’ feet
never did the future weave
faint spiderweb strands
(originally published in Sobotka Literary Magazine – Issue #3)
