Drunken Rambling from the Coast

A former friend said to me, I’m jealous of your whimsical life.
I haven’t stopped drinking since I was in a hotel room
with his wife, my feet kneading red, chalklike carpet,
their honeymoon’s pall a dim, amber light. She said

you need Vitamin D, Sunshine. I made a habit
of overdosing on the sun. Tell me again what I need.
I had yet to unpeel friendship’s pear with my lips–
and sink. I danced with her months before

at The Viper Room, my shirt half-clipped. I could not stop
thinking about how we might fit under the drunken moon:
her candles the flares in a darkening room, wax trickling
with no end, the rose-like incense rotting the room…

I read an article claiming that remembering
a memory is like saving a JPEG–
each time you remember, the image pixelates
a little more until it blurs beyond recognition.

It was dark when it happened. We were drinking.
Streetlights cast orange bars on the bed through
window blinds while we slipped hungrily
from existence. Her face was a spade

but we felt like the garden, digging deeply
into ourselves until we became an open cemetery.

***

I drink screwdrivers to feel the acid on my tongue,
feeling better since fleeing to the bay’s foggy shores.
I make stops to study the water at each chilly beach,
every heave of the tide as clear as the last–

and as frenzied– her arm reaches into the sand
closer and closer to pull me in, have one last good look
at me to ensure I disappear, if I’m not already gone.
I have my flask. The sunset. Miles of winding road.

Memories to fade, to make, to fade.

 

(originally published in Memoryhouse, Spring 2016)

Long Beach

from a high rooftop after rain,
headlights lead their drivers
to safety in a grid of electricity;
slick, mighty towers surround
and glisten from orange streetlights;
the harbor, an unending cascade
of dreams painted
in reflected, rippling stars–

you can hear, from outside the metro,
a shrieking man in an aureolin raincoat,
several hurried severities of shoes
clopping on sidewalks

still I will tell you the city is beautiful
when far enough away to never see
imperfection

and I’ll hold you close,
hands clasping your ears,
our own static to block
distractions which, for the beauty
of this moment, do not matter–

 

(originally published in Random Poem Tree, February 2016)

Eat Your Face

You wanted to eat my face
just as seven A.M. south Oregon fog
conceals trees over a low valley.
I wanted the same of yours.

What you liked was the sky descended:
how you’re able to grip, fleetingly,
the mortal, shifting clouds–
to think, I have touched the untouchable.

Many pines, from a distance, can be held
by two fingers. We can choose to let them dangle
or hold
steady, steady

The fog consumes and rises
while we watch the sun burn slowly west.

When the rain begins,
the soft pattering against the windshield
mimics the sound of your jaw
fake-chomping my cheeks–
nearly-inaudible clicks.

The speedometer oscillates
between sixty-five and ninety.

The hillsides change so suddenly
with every mile– shifting smiles hidden
by a fog you know will also fade.

 

(originally published in VAYAVYA)

*Nominated for a Pushcart Prize by Writing Knights Press in 2017

The 2 A.M. Pacific Retreat

nights cold near the ocean
whispers reclusive invitations

       Chautauqua, Chautauqua

Andrew Bird’s Q-tip acoustic fills the ears
the long voice pizzicato plucks cluck pluck
scratching, say, the sand munching feet,

the seashells and their blue-moon breath
breathe into your ears the eternal secret
of the ocean, quiet all these sleepy years

How do you leave the wet sand after that?

 

(originally published in Loveliest – Issue #1)