the bleeding radio repeats the same
dead guitars their necks and bodies
another day strings stretch rained
bullets for old fingers to play half-
mast country white and blue so red
throats the shallow soundless holes
peered into to sing sand to bury
the chorus of another city’s silent
prayers God never intends to act
(originally published in #theslideshow, Winter 2018)
in no other place does the sun
swindle the breath from your skin
those who walk in the neon glow
cut the chords of their own harps
your tired shoes crush cans
among mountain-ascending
penny-win dings &
skipped softness
of losses
listen to the suspended string
how she gently falls
to wine
(originally published in SOFT CARTEL, 2018)
I tell my girlfriend I love her
before we go to bed every night.
I tell her I love her in Vegas, in front
of slot machines spinning statistics,
neon colors blinding eyes beyond
our blur of vodka. I tell her I love her
before we fight in a tent on the beach
drunken under blankets and after that, too.
I don’t tell my mom I love her
on the phone when she’s alone
in her bedroom, when she cries
many nights because her twenty-
nine year marriage lives only in memories,
photographs, marginalia, in the musk
of dried sweat on forest-green cargos.
He had dragged an oak limb
after soft rain; now, crusted mud–
crevices alive in the treading
of boots– traces new footsteps
on less-traversed floors.
(originally published in Boston Accent Lit, Summer 2016)