Firenze

     open shutters overlook
   bells    umbrellas      energy
I    watch all day I am
  one pedestrian watch
              as        clock hands reach
slowly       one way                  up
to us which direction              walk
the bridge over the river
time the cobblestone path that
firms as marks hands gaff tape
on what slips                     this
plane this coil           weeks
     wanting not just this country
to last forever but what seeds
of doubt to be taken by wind
            stolen          by gnats
who sneak and fly into our space
if they could               digest what
we     put down plans to live
here in two years that cannot
come too fast it will arrive
a bullet         train when we are
sleeping on a humid night
in the                    future
                                        our
traveler bags                   brown
    and green     means
the forest meaning         opposite
of          open road if time
were this ambiguous than
I want nothing to do with it
but its hands are in everything
     bugs in the unfinished chianti
     drown        and            nothing
I can do to help
and I don’t want to
      drink   but I do

(originally published in The Round, Spring 2025)

#1

When I say you are my number
one I mean in the line of infinity:

crystals in sand, the observable
universe, atoms in the pretzel of

our hands– we were in the back-
seat. You were in the middle

of a knot, trying to emerge
beyond the physics that

has no name to call us.

(originally published in Beltway Poetry Quarterly, Spring 2023)

Jessie Must Think I Am Pathetic

Another gray sky day, empty gas tank worries in the countryside
nowhere don’t you long for my touch? Oz runs just far enough
for the bone against the backdrop of my outstretched arm
hand out fingers extended & I don’t know where I stand with Jessie
except she must find me pathetic as she walks into water under the
influence of Dr. Dog & now she swim-dances the past three days she’s
walked along the rock edge of the pool. & now I need to text Tony Z.
what’s a man most afraid of? I’m getting used to inadequacy. Oz brings
his bone to the other side of the fence. Jessie says she misses the green,
the pool purified at the beginning. Sara throws pong ball through
the hole of a lime lifesaver floatie and a butterfly metaphor soars
above the water. Have you ever almost drowned on drugs? I don’t
recommend it. The lesson is gravity’s not the occasionally falling apple
but the drifting leaf toward the other side, whatever the definition. September
third and we just got our first sunburns. Hannah leaves the house after
work and like a magic trick, three pong balls appear in the water
and the sun reveals itself a moment. Oz lays in the grass in front
of me before a philosophical discussion about casserole and how to cope
with beans bought at the beginning of pandemic we will never eat.

(originally published in KNOT Magazine, Fall 2021)

Cape May Karaoke

vocals rise  night static  the beach house we
sway to midi music   call ourselves karaoke

machines   what disappointment   to not be
whole   humid June   familiar shadows

encroach the move  I crack my song  an egg
to thee   to thaw cold exhibitions of the

bottle  another  popped  Corona to thirst
for grand experiences  cheaply    the tide

a tape loop   I do not sing the steady
hand of a lyric    but rather the water

(originally published in Sybil Journal, Summer 2020)

By the Ocean

As the tide heartbeats forth,
my lovers return in salt.

Silver-winged seagull loses herself
& dives.

Yesterday I thought
I would be in love forever–

today, whiskey on my tongue,
sand in my eyes.

I want to find every person
I ever loved within the waves,

how navy shuts
thin books of light.

The line between sand & tide
is awash with wings.

Salt burns my mouth
& I am drenched

in your foam, milking
the sea for words–

the sea swollen with stories
we never told,

words we
never said.

 

(originally published in Common Ground Review, Spring 2018)

After Palm Springs

We spent the entirety
of our days together.

Now, the vacation from myself
is over.

There is a void beside me
unexplainable in the absence
of presence.

No one here will keep me
whole. Digging into darkness,
film, facebook, what’s real, what’s imagined,
why does it matter?

I want to caress your stomach in the sun
and know everything is okay.

 

(originally published in #thesideshow, Spring 2017)