I’m in bed an engine revs a motorcycle outside
someone on this street screams slow down
but I finish our pack of blueberries, I apologize
what for? We were both eating them. The small
sour ones. The large C-flat ones. Near the end
I say these kinda taste weird. You say they’re
very sweet. I apologize what for? Where I’m at
I can complain about such sweetness.
(originally published in impspired, Fall 2021)
vocals rise night static the beach house we
sway to midi music call ourselves karaoke
machines what disappointment to not be
whole humid June familiar shadows
encroach the move I crack my song an egg
to thee to thaw cold exhibitions of the
bottle another popped Corona to thirst
for grand experiences cheaply the tide
a tape loop I do not sing the steady
hand of a lyric but rather the water
(originally published in Sybil Journal, Summer 2020)
I have swam your blue eyes enough
to know the color of the ocean.
We rise ethereal with laughter and smoke
below hanging lights which drift through
time, Bulleit in our blood.
Months will pass before
we talk our pasts again.
Until then I am content on
the sun-steel chairs to wait.
(originally published in The Wayward Sword, Summer 2018)
summer mugs me every time
muggy breath and hug of sweat
so hug me hold me let me know
I’m not a cloud who will sink
into a vapor or wave hissing mist
an atmosphere of melancholy hot
days that teleports me to L.A.
stargazing fame because anyone
who meant anything existed far
away celebrities or friends who
wait when you come home to drink
torpedoes in the square then explode
with laughter when telling them how
you lived everyday in a pile of socks
and neverending sunshine
(originally published in Abstract Magazine, Spring 2018)
these angled wings of black toxic piranha
triangles and sometimes yellow is diode
connecting spark to sky– open your mouth
raw fish skin and wet I will wait for something
new in the feathers of ripped jeans and we will
sigh about the weather the snow and cold want
of July’s salamander tanktop days and reproduce
downriver toward industrial cities of light
and tall structures of billowing ominous smoke
(originally published in The Wayfarer, 2018)
The green blanket over your head–
Kimmy Granger gets fucked
by a fake photographer
on your iPhone in my hand.
Meanwhile, you ride me, moaning–
it’s snowing– December’s waning
autumn days– awaiting a kind of fate
under flicked-off lights
in the gray of afternoon.
Before this, we reminisced about
the early days– laying in bed my hand
in your hair listening to music.
Then late July laying in grass saying
the ways we make each other happy.
Which is why I must rewind this clip
over and over to the part where Kimmy
is smiling and laughing before
the whole thing starts and
I pine for the blanket, your
green thread and lint.
(originally published in Ghost City Review, Winter 2018)
Driving west to Columbus from my partner’s house
in Pittsburgh early morning and on I-70 around six
in the rearview there’s a giant burst of orange light nearly
deafening in its glory and my first thoughts are fire and fury
then you’re gone but no it’s a heavenly sunrise and I can’t
remember the last time I witnessed the sun rise though a few
days ago she and I were in Vermont about to hike an
overlook before sunrise to watch it but we couldn’t will
ourselves out of bed and what a world to wake to now
driving alone this big dramatic ball of fury revealing its
magnificence bathing land in light before it softens
how it could have been one or the other
a burst of beauty or unspeakable tragedy yet from a distance
a bomb might seem as beautiful and harmless as a sunrise
at least until the smoke how with fire too there’s a kind
of enchantment but for this a split second then the anguish
and fury for this sunrise greeting a thousand grieving days
(originally published in Old Red Kimono, Spring 2018)
We’re eating Thai food, like we were supposed to do yesterday,
and I tell you that spice level, I couldn’t handle but next I know
we’re walking through alleys shoulder-to-shoulder when you ask
when you gonna talk about the real shit? And we keep on, sun
dipping to avoid the real conversations and I know this box of Stella
in my hand isn’t strong enough to make me start, but in my house
there’s honey whiskey, and I ask if that’s real enough but no,
too much sweetness. We drink anyway, ice falling from freezer
to floor as I reach for Old Crow to hurry to some kind of real talk,
the kind we couldn’t find on our walk to Giant Eagle
but there are bonfires too hot for our hearts in the real world,
a tinder of paper and logs we decide not to learn the names of
and we’re drowning whiskeys, beers, and slow small-talk
telling each other about exes to the flame’s orange humming
and that’s real, I thought, but not real shit and so the hanging lights
are unplugged and we’re searching for stars through clouds of smoke
and we talk about how little we know, how far we want to go
but beside you those stars don’t seem so far and in the swirl
of darkness we kiss, realize that’s the real shit
until we open enough to tell each other.
(originally published in Cease, Cows, Fall 2017)
we walk parched lips from downtown
to the jazz & rib fest you tell me
you love too many at once
I count the number I love at the moment
but we lose track of headlights
following the other’s every move
neither of us know how to get there
how to make music & when we arrive
jazz is faint & we don’t listen to sporadic notes
choosing to walk the bridge over the river
under spotlights of webs of moths
between railings & you say insects
are the most important creatures alive
the more of something there is the better
all these millions of arachnids spinning
webs to eat the hearts of bugs they always catch
we stand away from the railing because we
don’t want spiders to creep onto us & start
the work of eating through skin to dig to heart
we don’t look at each other because
you can be in love with so many at once
but not the ones who want it most
(originally published in Edison Literary Review, Summer 2017)
I have convinced myself
all birds fly as soon as they see sky
I know each wing on each one
is different
Grounded I tend to speak aluminum
from the grand piano of my throat
It is a sunny thirty
The sun beams over a painting
of a palm supporting an oak
Believe me I want my tongue
to bloom good petals
I cannot get enough of being
alone
Imagine a single light
at the far end of a cave
so faint you must remember
you’re awake
Blow the dust
from the ivories
Play flat notes detuned
through my lips
I want the truth
yet spit loose gravel
into the chasm
of my lover’s ear
(Originally published in Poetry Super Highway, Summer 2017)