Low-Visibility Night Drive Home

                            For Tarik

highway needles appear
fast white lines I bullet
along an aimless angle
fate a roll of die half my
life I have had my license
tonight asphalt is slippery
and tenuous when I spend
too much time alone only
the hum of engine knowing
tires hiss more air the further
I go do not devalue yourself
the chanting mass says my
head loud roiling in ninety-mile
-per-hour grief I did not know
Tarik as well as those who knew
but I miss him should have
called in this ubiquitous darkness
smoke leather peeling off my
ten-year steering wheel a passing
truck sprays my windshield
mist this sharp steady rain Reek
drove a convertible he may have
been drenched but he would
have laughed made it seem okay
if I knew his misery if I could
see behind his laughter
mask the off-ramp winding
curve onto the final highway
home in his deep empathy
Reek drove this stretch of night
after switching off his lights

(originally published in Fine Lines, Fall 2021)

Golden Gate

I listened, during that foggy morning stroll
on the Golden Gate, when you alluded
to what it must mean to jump,
how it must feel to fall.

The foghorn blared every five minutes
from some ship we could not find beneath us.
We peered our heads over the low railing
and inhaled the gray.

Red telephones rang in our heads.
I can still hear the ringing
from the hotel’s broken phone–
thin wires dangled into lines

on our palms, curved and infinite–
an atlas to guide the whispers
we cupped into our hands
at night.

I feared faraway screams
or the deafening sound of cymbals, shards
of metal launched from the hinges
of what was thought secure–

I did not expect
in an instant, without percussion–
I did not expect the fog, how sterile
it seems, like the afterlife, how it turns

the familiar into silhouettes–
to make this any easier.

 

(originally published in riverbabble, Issue #28, Winter 2016)