I Convince My Mom to Write

For a time, I convinced my mother to write
mini memoirs of her farmer childhood
in the Philippines. In one, a monkey bites
her during a nap in a hammock; in another,
she falls from a tree onto a snakebite,
and her father tosses her into the Pacific.

This morning, she tells me of
leading a goat on a rope
up a hill. At the top, it starts to rain
and the goat runs back down.

I tell my mom she should write this.
She says, no, you should.
So I ask how did you feel
being dragged by a goat?

My mom looks to the ceiling,
patterns of neural pathways
on a sea of white.

She says, I wanted to cook him
for dinner. He scratched my arm
I couldn’t untie the goat from the tree
to eat grass but he didn’t like rain,
he smelled rain, smelled the smoke
out of the fog, the smoke up the mountain
smoke from where the ground is so warm
it evaporates, and you hear raindrops, the wind
blowing while crying the goat was very strong,
when you’re a kid it feels like a water slide
only no water on top of hills going down
trying to run – in the Philippines that’s how
it feels when you get dragged by a goat, she went into
water – jumped into the river – a forever pool – rock you jump
over it’s deep – after rain and flood washed out all dirt
when water turned clear back when I was kid – like after
the flood no leeches would come with leeches I hollered
and nearly stabbed a leg with a knife – neighbor cut
his leeches and his leg – plenty of leeches in our river – flood
clears leeches – flood clears everything – the flood will drag you all
the way to the ocean

(originally published in Hello America Stereo Cassette, Winter 2022)

Plot

This all is a script about plotting.
An achingly slow clock. Poetry
makes me want to be outside.

Perhaps what is best is how
words move me to a surface,
but I remain in my Arctic superego.

What I mean is I am thinking
of what people will say
to me, to each other. A plot.

A whole movie inside my head.
I act in it, not knowing
what I’m doing.

(originally published in Avatar Review, Fall 2021)

Drunken Rambling from the Coast

A former friend said to me, I’m jealous of your whimsical life.
I haven’t stopped drinking since I was in a hotel room
with his wife, my feet kneading red, chalklike carpet,
their honeymoon’s pall a dim, amber light. She said

you need Vitamin D, Sunshine. I made a habit
of overdosing on the sun. Tell me again what I need.
I had yet to unpeel friendship’s pear with my lips–
and sink. I danced with her months before

at The Viper Room, my shirt half-clipped. I could not stop
thinking about how we might fit under the drunken moon:
her candles the flares in a darkening room, wax trickling
with no end, the rose-like incense rotting the room…

I read an article claiming that remembering
a memory is like saving a JPEG–
each time you remember, the image pixelates
a little more until it blurs beyond recognition.

It was dark when it happened. We were drinking.
Streetlights cast orange bars on the bed through
window blinds while we slipped hungrily
from existence. Her face was a spade

but we felt like the garden, digging deeply
into ourselves until we became an open cemetery.

***

I drink screwdrivers to feel the acid on my tongue,
feeling better since fleeing to the bay’s foggy shores.
I make stops to study the water at each chilly beach,
every heave of the tide as clear as the last–

and as frenzied– her arm reaches into the sand
closer and closer to pull me in, have one last good look
at me to ensure I disappear, if I’m not already gone.
I have my flask. The sunset. Miles of winding road.

Memories to fade, to make, to fade.

 

(originally published in Memoryhouse, Spring 2016)

My Father Was a Beekeeper

I always knew my father was allergic to bees
but it wasn’t until his obituary
I learned he was once a beekeeper.

In those days, I hear, he prayed
to his veil– only to re-emerge, hours later,
having danced with God
under every umber swarm.

He was a gifted storyteller
but it wasn’t until his stroke
at seventy-four made me listen,
when his mouth betrayed his brain.

In his final years he would repeat,
the end of bees is the end of man.
So, heaven in the soft petals
scattered in the grass.

Young violets lined his coffin.
All I wanted was to listen

to stories he told before,
details I had forgotten.

Around the cemetery,
bees still glissando

through gardens not unlike the ones
he dug into his blackened fingernails–

honey and sweat, story-
pollinated requiems, harmonies

heard in bountiful
fields of bloodroot.

 

(originally published in Kaaterskill Basin Literary Journal – Spring 2016)

*Nominated for the Best of the Net Anthology

Because I Never Listened to Your Stories

Thirty-five years and fingernails
darken, blacken from walnuts
and the cracks of hammers, the coming
of dawn, clouds wrapped in thunder–

the fruiting spire, the pear-toned
light, the front lawn fire, charcoal
grass, green peels ripening– ripe–
soft–

red Helix stagnant, lonesome, remembering
the wet-leather thunderstorm days
cruisin’ seventy,
the human box of organs and history
holding rubber handles
treaded like hieroglyphics–

interpret me. Listen.

These are the words on the bathroom stall
fingernail-scratched and ignored

What Will You Remember?

Not the stories told in tones softer than television

 

(originally published in NEAT., Issue 7)