Early Twenties

At Giesen Haus late, we drink long
islands on empty stomachs until
we make nacho shots – chips loaded
with beans, jalapeños, cheese, the finisher
being the rest of our twenty-
two-ounce Doppelrocks. Because
the Haus is closing (we do not
know soon, for good), we
walk the blurred street to
The Basement, get another ale,
maybe two. We tweet Rob
Delaney when we decide we need
thirteen more drinks before the end.
We make another shot, the Dog Blowjob–
Raspberry, Blue Raspberry, Jameson–
IHOP at 2 AM, our waitress tells us a time
she was stuck in the snow, drunk, and a
customer paid her for sex. Cinnamon
pancakes, hash browns, we wait what feels
like forever amid endless summer now
that we are adults. 5 AM we walk back
to Giesen Haus and somehow, I drive us back
now. We cruise down Whipple to Bloom’s
hypnotic Wild, witnessing the sun attempt
to rise from the depths of night. In a few hours
I finish reading Conrad’s Heart of Darkness,
which I want to like, then watch birds
in branches with binoculars received
in the mail. I peer through all the nothingness
green. I start Siddhartha, play Skyrim, binge
Breaking Bad. Later in the week, I put in
thirty hours of restaurant work with
all the time in the world.

(originally published in Dreich Magazine, Summer 2020)

World Series, 2019

First baseball game I’ve seen this season– game seven
of the World Series, Houston versus Washington. A sea
of orange in Texas. Scherzer versus Springer. Joe Buck
talks about muscle injections, pinched nerves, breaking
ball– full count. He says this series is full of big swings,
big emotions– isn’t that a normal week? Dad watched
every Cleveland game. Ever. For a summer I did,
too, but October is chillier than usual. Last week, we
buried my oldest brother. We used to play sports
games– Triple Play 2000, Gran Turismo– on the
basement’s cold, brown carpet, where all physics
hurtled toward inevitable destinations: a ball singing
through the air into a blurry glove, or tires spinning
through some grainy tunnel. We’d trade wins, half-
luck, but there was always a conclusion. Last year,
I held his hand in the hospital. He squeezed my
fingers and said what he couldn’t with his eyes.
Last week, he didn’t get the kidney he needed.
When Washington wins, I see men cry on each
other’s shoulders. When my brother dies, my brother
cries on my shoulder. I cry on his shoulder.
And when we look at each other,
we find someone we both miss.

(originally published in Knot Literary Magazine, Fall 2021)

I Think of Giraffes Sometimes. I Hope They Sometimes Think of Me.

In Kathleen’s apartment in Oregon,
I ask her where even is home?

Clevelanders-turned-transplants,
maybe never knowing.

I see my mom’s mown lawn
in the green fields our baseball

team travels through, my friends
in tweets spitting scores or stats.

These, I don’t care about,
but I join in discussion.

Blue hands to high-five,
then to put my phone down.

 

(originally published in Hobart, Winter 2018)

The Kansas City Royals Cope With Loss

A river isn’t really blue. The Mississippi
has dried, and even love is transparent.

We adorn ourselves blue so loss
can be quantified in color. Such

is the brittle paintbrush, naked
and grieving, but we are not

the color of grieving,
nor tobacco spat in the dugout

in shame. We remember
the dirt, and who we loved,

long before we searched
clouds’ faces for ghosts,

her grays in the white
within eternal blue.

 

(originally published in ‘the vacant hinge of a song’, courtesy of Origami Poems Project)

LeBron Comes Home

Sawdust struck our eyes
when his teeth jawed
themselves against our tree.

His headband
constricted us like
a snake.

When he unclasped,
so did we.

Our bodies slackened
like absolved marionettes.
Held beers became
puddles on bar tables.

The yesterdays burnt
wax into our throats.

Today he is Atlas with the city
perched on his shoulders, the Earth

a lacquered basketball. Willingly,
now, we witness and worship his
every move, drawn by an influence
we ourselves do not carry with
every blink, every breath.

 

(Originally published in altered form in Perspective Literary Magazine – October 1st, 2014)