Christmas, 2017

I heard last year Uncle Keat
lost his sight, and nobody
has seen him since.

Tonight, my oldest brother– waiting
on a kidney, unable to walk–
unwraps a flashlight.

A gift of hope, I suppose,
what we lose we tend to replace
at the end of a year–

the longer Dad’s dead the wider
entropy’s net consumes us.

Today’s the fabled white
Christmas, trail of footprints
leading into the woods.

Somebody gray-bearded
and familiar waits in a clearing,
hands cupped to mouth.

There’s no warmth in
red streams of wrapping paper
hanged from winter branches.

Uncle Keat was there,
we’re sure. Somewhere
his tether.

As if another dark
world with open jaw
awaits, and time

pushes us forward,
wheels squeaking
every now and then.

(originally published in Overheard, Winter 2022)

Float Through

Today, I slide on slush on my drive. Unplowed roads, slippery odometer–
morning snow surprise. Pittsburgh’s a city of hills unavoidable, and later,

waiting on a grocery pickup, I stare into the rearview mirror at the frost-
tipped pines when a knock on my window removes me from my existential

stupor. I don’t know how to interact anymore. Crank the window the wrong
way. Peppermint mocha, the years past. I bought a latte this morning but did

not know how to order it. The Dunkin teens stared, dumfounded, and it was
a foggy day like this– in which I float through the happenings– that I last

crashed my car. In Los Angeles, I flew down the dry 405, beat after
a long day in a Hollywood studio, and was amazed at the hospital light

brightness as I passed Westwood, like I could snap my fingers and time
would once again resume, while five other lanes of traffic zigged around

me with no regard to my existence. I was like a visitor to myself dragged
back into being with silent smoke pouring out the mouth of my Ford’s

hood. The front was crumpled but the SUV I slammed into appeared
untouched. The sixteen-year-old girl called her dad to ask what to do.

She took my insurance, my number, then drove off with the rest of the
world, as I stood at the side of the highway waiting for someone to

help me go home, still, to this day.

(originally published in the chapbook Count Seeds With Me (Ethel Zine & Micro-Press), Spring 2022)

Coca-Cola Commercial

If I live a modest life I won’t know what it means
when the pipes burst or the banks bust. Either means
money I don’t have. Meat the Earth has. I’ve wanted
to travel but I know airplane fuel results in polar bears
dying on dry soil. Think Coca-Cola commercials with
the Arctic night preternaturally night. No snow, no
snow, and after airtime you crave Coke.

(originally published in Quince Magazine, Fall 2020)

Southbound in February

  Almost swerved to Akron
      to delay our southbound silence
          before another car skidded into steel.
                 We smoked exhaust
            with sedans which scrunched
                    around us. Wiper squeals
            revealed hymnal landscapes
                through murky glass.
              I revel in footprints buried by snow
                                             yet do not know what–
                               if our black tires composed
                                     cadenzas in the slickening slush,
                           ambulance’s red, beating
                                    bongos thumping toward us
                                            –what we could have said
                                                   that would have ever been enough.

 

(originally published in The Slag Review, Winter 2017)

Sunshine Daydrinking

I need to break the association
this first day over forty in January
sun wicking everything orange
and melting snow     which had mountained
around Columbus     this past year’s been
climbing     an unending goal since I gave up
drinking       through a Lent that lasts forever

I stopped believing in God early on
and instead chose to believe in sacrifice
first my health     now my vice    the nights
when I lose myself in another religion
in rapid ascent up blackout mountain
waiting for the harness to snap

 

(originally published in Edison Literary Review, 2018)

Phone Conversation with My Sister on Christmas Day

The trees are dead, she said.
Peering outside, it was true:
A still-barren sixty degrees, sun
meekly reveling in its new warm.

A week ago, our mother cut down the tree
we picked apples from as children.
They were small, red, never delicious–
brown and burrowed with worms

because anything sweet from the skin
isn’t as sweet as you might think.
All those colorful lights we tied around
the necks of plastic and decoration,

the way we choked the holiday,
wrung out the last ounces of life
from the animal ornaments on every pine.
The walrus with the broken tusk.

The hyena whose laugh can nearly
be heard. As if anthropomorphizing could
ever atone for the past but I would love
to believe in a world where a fragment of

a tusk means something is truly missing–
perhaps rickety laughter ringing through
thin walls, dominant as the wooden organ
moans his mantra: everything in this world

is connected. Not every connected thing
is aware of its living, its connection.
But the way fingers dance deep
resonance out of the organ’s shifty teeth

to provide holiness for the changed house
is the gift we must open for ourselves
with our hands full of music– a sourness
in harmony, an ode to shriveled apples.

(originally published in Flatbush Review, Winter 2016)