For Halloween I’ll be Jesus You Be Mary Magdalene

my cigarette-smoking badass waitress
      the Bible I’ll defenestrate at 3 A.M.

               Mary I went to Catholic school
while Josh played bagpipes at the Oval

Absorb tradition with sugary cocktails
               I didn’t say a word in the play

               as Pontius Pilate    I wouldn’t
               have contributed

Watch men get crucified by wine
Watch women excise their seven demons

                            this party’s a tomb
                            of sacred skeletons

leave it to the wild dogs to feast
on the bottles of Jagermeister

            we drink blue glasses
            of Zombie in the corner

 

(originally published in Down in the Dirt, Winter 2020)

Every Movement of the Sun

I seek a way to meet heaven without living it
in my excess the money and green, the love and sex

the sexes intertwined like vines and twigs
and doesn’t faith have nice legs? the priest

would ask from afar in this tall wooden structure with
our congregation crooning a Godsong that couldn’t

bring them any closer to God but wasn’t what
we wanted the whole time each other?

in that way I’m still religious

 

(originally published in KAIROS, Spring 2018)

 

School Bus in the Blizzard (Supper Waits)

The chicken soup swirls with the ladle.
Garlic and pepper steam the kitchen.

Limp horseradish soaks
at the pot’s silver bottom.

White meat swims laps in the yellow broth.
Animals do fine without bones.

The clock strikes a new hour.
The oven timer goes off

(or does it). Outside,
snow blinds the world.

Shovels conceal pavement.
There is no good way home.

 

(originally published in Freshwater Literary Journal, Spring 2017)

Band Room

there are many instruments that we are
and many more we are not

such as we are sometimes saxophones
who have not memorized love songs

but we have eyes to read the sheets
lips to blow into trumpets tubas

muscles to crash cymbals
pound the bass drum at night

we remain off-tune no matter time of day
arcs of trombone waves flute trills rainbows

the inhaled swampy atmosphere
of slide-lube and falling domino fingers

down the rigid clarinet air
melodic staccatos of sixteenth-notes

every piece celestas
on wet reed floor

the band room holds its breath
waits for us to play something

 

(originally published in Beech Street Review, Fall 2016)

To Emily (From Angel)

To run away would prove
the wild still within me,

taming that short fence with my claws
to catapult into the trees where birds

and squirrels and spiders sleep alone.
I look starward when you lure me

out among the sparrows. I am no monster
who lurks in twilight, but sometimes

exist memories I never made, when cool air
rushes into me through the window screen

like the moon commanding the tide–

I am not fully water but, like you, an animal embedded
with her feral past– my sisters teach me to hunt,

mice dangling from their mouths that haunt afternoon naps
on your heavy bed– my beautiful sisters never knowing

how it feels to be a princess, gold and pink
tiaras glistening between their royal ears.

I would not belong in those sprawling
forests from my dreams. The hunger

from the wild’s lack of you
would tremble my true heart home

under starlight’s navigation– to here,
where my whiskers graze your calves,

where I am cradled in your arms
in the company of heartbeat:

a sweetness, a tenderness
the feral could never dream of.

 

(Originally published in VAYAVYA, Spring 2016)

Martian Waters

they found water there, so we can move to Mars–
red planet god of war never knew the need for mercy.

the milky way could use another arm,
another trillion, twinkling stars, a slow phase

pregnant with planets bearing
tall pines stabbing pink skies,

white mountaintops a cold heaven.
in America, communities die one tragedy at a time.

our rivers are rancid and oxygen is halitosis.
maybe we’re dreaming, drinking

through sunrise– that’d explain our inability
to reason, expecting god to save us

from a doctrine
more widespread than bullets.

maybe we trust too much– the way
we comfort the grieving, a surplus

of prayer, words passing the breeze.
there were clumps of dead leaves before autumn began.

it’ll be beautiful, what then.
the season will kill and kill.

we’ll mourn our addiction to mercy,
wonder if it’s worth it

to bring a child into the world,
shuttled from her innocent rest

to our blood, soil fresh and familiar.
what’ll autumn do, then,

with winter afraid
to enter a landscape

already dead?

 

(originally published in The Derails Review, 2016)

Clinton, Ohio

Where I lived was a quiet crescendo
of snow six months of the year
& mosquito summers wearing shorts
into the sweating night

Where I lived had piano thunderstorm concertos
jolting the elderly house’s bones
with frenetic fingers, ivory paint,
red bricks

Where I lived was a lonesome walking trail
where morning chirps of blue jays went unnoticed.
Beds of acorns lined the autumn grass,
a kind of fallout for the process of aging
and the act of leaving

Always, now, in thought, it is a shoebox
of dandelions that writhe when I pet the cold cardboard–
hello, you are home, tonsils– my heart
can’t handle the hand-shaped imprints
from so far away

 

(originally published in Rubbertop Review – Volume VII, 2015)

Seatless Unicycle

She is a seatless unicycle who dangles on a string attached to a wire on a telephone pole. Her pedals spin with the wind. The payphones wonder if still she can ride. They worry she will roll off into the parking lot and strike the black ramshackle Lincoln to gift another dent. Cars in motion on the street will snort and shriek. In saturnalia a brown Boerboel yelps and hurtles and snatches her tire with ferocity in his jaw. He tugs and pulls as her wheel snarls and squeaks. He drags with his fur the weight of concrete. Her rubber hairs become roots she cannot untangle from white oak trees sequestered to forests she cannot reach. The parking lot is gravelly and minuscule. Caterpillars need more space to bloom. Butterfly-eyed people who look like dead poets recite words with aluminum in their tracheas.

 

(originally published in Corvus Review, Winter 2015)