Fantasy After a Few Good Dates

I’ll enter our bedroom to open
my laptop where I reserve
a French five-star dinner and
yes we have kids in this dream
the universe theirs to explore
so they start by clanging pots
and pans in the sine band of
our kitchen underbelly worlds
smaller than the space we used
to enclose the first time beneath
the orange blanket hot chocolate
wafting from the kitchen slunk
into pillowcases and snug before
the sun steams yolk in the black
pan gathers its yellow around
the edges waiting patiently to
rise

 

(originally published in The Wire’s Dream, 2018)

To Sara (From Kingsford)

I scratch at doors because I hear a creature
moving in some box I have yet to lick.
Cardboard has the faint taste of forest, of hungry
bark. I have never ventured deep but the deep
knows my name, and when alone its voice
is sometimes distant but so heavy, I claw
the door’s painted wood until the woodlands stop
speaking, or someone lets me free. I explore dark
spaces and in this home I look for monsters
to flee– I run from shadows, sprinting through
the wilds of rooms wanting a chase to give
my motion meaning. Don’t get me wrong.
I’m grateful; I’m safe; I’m running from myself:
I’ve loved like vacancies in the clothes hanging
in closets. And loved like in your arms, eyes closed,
no more dark but in searching for the predator
to emerge in you– but on your bed, in this room,
in this home– there is only breathing and calm
I can’t sense in that outside world of creaking
and footsteps, of clouds rolling into thunder,
of multitudes of other things
I trust far less than you.

 

(originally published in York Literary Review, Spring 2017)

Night Train in Wait

We stare at stars until we feel
the cavalcade of stones shift beneath our shoes.
There is an entropy to the universe.
What melody does the rail hold in her ivories?

Do we listen for an engine to ignite
while we tangle in the grass, in the cold,
in the tremble of tracks? Where else to go?
We tremble, too, waiting

for a song from the vulnerable rail
and her sharp of distance.
If the train will not move I still want
to create landscapes with you

and callous ourselves hurtling
past engine content in her still
into worlds where I become wind,
and you, fire–

with a palm on your cheek,
we’re the mountains,
playas, beaches, moors.
All a blur. A quiver.

 

(originally published in Isthmus, Winter 2016)