Maybe the installation was overrated–
the advertisements got us, inflated
the necessity of PVC in the center
of the city. It is August and I wanted
to see you for who you were and you
let me. Our shoes were off and
in the green shining light we were
vibrant. In the red we could not tell
each other apart from the screaming
strangers’ children, as indistinct
as silhouettes, palettes upon which
we draw the lines we see ahead; the vents
streaming air; the eighteen rooms we lost
ourselves in but not the sense of time,
which was kind of the point:
already we are labyrinths
so why pay to see
ourselves out? Not that we could
even. Had to find a blue GUIDE to point
us slightly in the direction of exodus,
another tube to lead us into the open
patio with the mobile bar selling
orange crush and cucumber vodka
with twenty other people seeking
air, or at least a chair
to sit, in which I am
wondering how close to sit
beside you? The answer
in the atoms wobbling between
us, the slight tilting of light.
(originally published in The Seraphic Review, Fall 2023)
possibility
The Way Out
Lilly asks as we leave
the Highland Park pool
do you need
a dinosaur figurine?
I look at the lost
and found table
she points to, and
I make mental dots
for sprawling trinkets
that must have meant
something to someone,
once, trying to determine
what she means by dinosaur–
is it the green color shining
off plastic rings? The fake
bird feathers? She points
again and this time I follow
to a rubber Tyrannosaur, no
ambiguity, Yes, my cat died
this morning. Yes, right after
the break-up. Because I fit what
doesn’t make sense into butterflies,
love, and the stillness around me.
You ask, can you envision
our future together? I see it
in our palms: a tree with a million
branches, and on the other
hand, a tree with a billion
branches, and on another,
a tree full of open hands.
(originally published in Dandelion Scribes, Spring 2025)