of the world
still for contact
this accident of
longing a lesson
in how not to be alone
through the lens
(originally published in Erothanatos, Spring 2020)
liked his spaghetti
soft as can
off the plate.
But Dad always
said stop playing
with your food!
I wish I could
have figured it out
before he died. I
would have told
him I was toying
(originally published in Ethel Zine, Summer 2020)
Walking through the galleries on High Street
absorbing art, the watercolors bleed together–
a blue-green pond carries the weight of ducks.
The familiar arches of the Short North beneath
gray clouds, strokes of paint whoosh cerulean
onto wall, a window with its subject unmoving.
I wait stock-still for the art to understand me,
as if a painted cloud could somehow awaken
within something akin to the sound of wind
on the lake in the presence of trees who long
lost their leaves, age marked by a reception to
desire. With whom will I share my barren age,
those outermost rings which mark the end
(originally published in ‘the vacant hinge of a song‘, courtesy of Origami Poems Project)
When the city stops buzzing, streetlights
invite reflections onto storefront windows.
Finally, the distortions make us young,
removing cigarette burns and ash.
What love is reserved for the old? The bridge
seems sturdy in winter but more slippery
with its blue-streaked ice– and mouths of
gravel seem ageless. Time rescinds her reach
toward the cradle of sleep–
maligned shoes end on a cold porch,
slathered in a salty grit. Snow on
the doormat waits for extinction.
(originally published in “the vacant hinge of a song“, courtesy of Origami Poems Project)