Mia Khalifa

Life imitates art in the way
memory imitates life– your face

reminds me of my last swollen
laughter held. Sometimes

there is no comparison– oh, we’ll rise
from geysers with sulphur still

in our fabrics– loose, blue threads
hanging at the maw.

We disassociate and wish
to converge into stars on a single strand

of light–
I remember that copper smell

of a new roll of pennies,
when fifty cents meant more than

being half of something
not quantifiable at all.

 

(originally published in Pouch, Issue #6)

Thanksgiving, 2015

The turkey was sacrificial. We dug
our fingers through dark meat

to retrieve the stuffing but avoided
the controversial topics, the fat on our bones.

What bubbled was the broth, salt
on stone, and Mom drank sparkling

juice cocktails, pretended it was wine–
laughter compressed from the mash

in our mouths, the soft chew and gravy.
How simple it would be to spill grease

from the pan over the tablecloth, so temporary–
ten years ago was the last we all celebrated,

the last our talking bounced from mouths,
caught softly in our ears. After the funeral

we peeled grapefruit. Its rotting meat
blessed a white plate for days after the feast,

when we gorged enough of ourselves
to ask what it is about the lumps in apple pie

we savor, when the tartness
burrows new holes in our teeth–

maybe it’s the cutting, dulled knife on pie,
and the serving– one piece on porcelain,

a fragment, a memory
of what it means to be whole.

 

(originally published in Jazz Cigarette, Fall 2016)

My Father Was a Beekeeper

I always knew my father was allergic to bees
but it wasn’t until his obituary
I learned he was once a beekeeper.

In those days, I hear, he prayed
to his veil– only to re-emerge, hours later,
having danced with God
under every umber swarm.

He was a gifted storyteller
but it wasn’t until his stroke
at seventy-four made me listen,
when his mouth betrayed his brain.

In his final years he would repeat,
the end of bees is the end of man.
So, heaven in the soft petals
scattered in the grass.

Young violets lined his coffin.
All I wanted was to listen

to stories he told before,
details I had forgotten.

Around the cemetery,
bees still glissando

through gardens not unlike the ones
he dug into his blackened fingernails–

honey and sweat, story-
pollinated requiems, harmonies

heard in bountiful
fields of bloodroot.

 

(originally published in Kaaterskill Basin Literary Journal – Spring 2016)

*Nominated for the Best of the Net Anthology

What I Want

Your limb fingers pressed
on the stairway keyboard,
wanna see you move like
you used to, feel your breath
close to mine in new places, say
the same words we said, even if
it was a stupid Sunday,
hear the words,
hear them again, pink erase
the drinks
and listen, hear the words
in my head, I want to feel
the air shake again electric,
the clacking marimbas, I want
your fingers, all of them, pressed
again like whispers
I like to explore,
want the minor chords
out of my head, want your blonde hair
in the ridges between my teeth,
strands in my curled tongue,
tell me what the stars are like
in your own words,
want to hear them,
want to hear their twinkle
in your voice

(Originally published in Linden Avenue Literary Journal, Issue Forty-One)

Future Men

boys who would be future men 
squealed at new Pokemon.
mimicked moves, karate'd birds

flapping and winging and flinging
     OVER NINE THOUSAND!
miles per hour

and things
eight-dollar K-B Toys 
always break 

blue mega man 
onto metal bunk
bed swung 
                              CLANKCLUNK

sprints'a from kitchen, lotsa surge, 
hi-ye-ho bullet train 
                              small-scale rail

    the basement 
       digging
digging through purple bin
     TREASURE! TREASURE!

homemade pogs; on one side 
the cut-out cartoons 
from game manuals, Zero so cool
his long blonde hair, red armor
give me his sword no 
          it's mine 
          x-buster
    circular cutting 
rise to heroes controlled  
  control was so easy

yes, yes, think of life–
death in digital terms

those boys were the masters then

    the future men and their
    cold basement summers


(originally published in Suburban Diaspora)

Clinton, Ohio

Where I lived was a quiet crescendo
of snow six months of the year
& mosquito summers wearing shorts
into the sweating night

Where I lived had piano thunderstorm concertos
jolting the elderly house’s bones
with frenetic fingers, ivory paint,
red bricks

Where I lived was a lonesome walking trail
where morning chirps of blue jays went unnoticed.
Beds of acorns lined the autumn grass,
a kind of fallout for the process of aging
and the act of leaving

Always, now, in thought, it is a shoebox
of dandelions that writhe when I pet the cold cardboard–
hello, you are home, tonsils– my heart
can’t handle the hand-shaped imprints
from so far away

 

(originally published in Rubbertop Review – Volume VII, 2015)