Bro

Get out of my life with
your election signs. Don’t
tell me what stakes
you stuck in your front lawn.
Come on. I know you’re not
a boomer. You say we’re at
a crossroads and I gaze
into the neighbor’s yard–
used to be bushes concealing
every outside path. Now there’s
someone on a lawnmower severing
the bonds of grass, in intervals,
each direction I look, each time
I visit home. And we comment
each new motor makes it harder
to reach each other. Mom’s
neighbors want to beat the rain.
We just built this fire in the back
of my childhood home. These
bundles of sticks my mom gathers,
waiting for us to come home
some early October Saturday.
At my brother’s first mention
of herd immunity, my sister
suggests we seek more kindling
in the tall grass. The air is
parched but we must keep
burning. Firewood left from Dad’s
death we’ve already forgotten.
My brother says we’re gonna
lose all this country fought for
Dad survived World War II
only to shatter his ribs on a fire
hydrant sixty years later. Mom
would not let the coroner dig
into his carcass for an autopsy.
In his later years, Dad would keep
a hose beside our bonfires. Still,
we hunch over heat together,
burning hot dogs on forgotten
skewers. We dredge the past
again: a year after my father’s death,
cooking hot dogs over walnut husks,
one of you said there could be
an industry for the timbered taste
coating the tenuous meat we’ve
shared over the years.

(originally published in Alternate Route, Spring 2023)

Cracked Windshield

Sudden the stone that cracked
the windshield, the storm that
struck the heirloom oak– you
ask for rain, beg for answers.
Soaked hands steer through
the blindness of the blur–
ten years now since Dad
merged into the final lane,
his pass misjudging distance
from collision, and that night
Mom heard a screeching
in her bedroom like a crow
passing from another world,
a bleak siren thrusting her
to darkness her headlights
could not cut through.

(originally published in Kingdoms in the Wild, Winter 2021)

I Convince My Mom to Write

For a time, I convinced my mother to write
mini memoirs of her farmer childhood
in the Philippines. In one, a monkey bites
her during a nap in a hammock; in another,
she falls from a tree onto a snakebite,
and her father tosses her into the Pacific.

This morning, she tells me of
leading a goat on a rope
up a hill. At the top, it starts to rain
and the goat runs back down.

I tell my mom she should write this.
She says, no, you should.
So I ask how did you feel
being dragged by a goat?

My mom looks to the ceiling,
patterns of neural pathways
on a sea of white.

She says, I wanted to cook him
for dinner. He scratched my arm
I couldn’t untie the goat from the tree
to eat grass but he didn’t like rain,
he smelled rain, smelled the smoke
out of the fog, the smoke up the mountain
smoke from where the ground is so warm
it evaporates, and you hear raindrops, the wind
blowing while crying the goat was very strong,
when you’re a kid it feels like a water slide
only no water on top of hills going down
trying to run – in the Philippines that’s how
it feels when you get dragged by a goat, she went into
water – jumped into the river – a forever pool – rock you jump
over it’s deep – after rain and flood washed out all dirt
when water turned clear back when I was kid – like after
the flood no leeches would come with leeches I hollered
and nearly stabbed a leg with a knife – neighbor cut
his leeches and his leg – plenty of leeches in our river – flood
clears leeches – flood clears everything – the flood will drag you all
the way to the ocean

(originally published in Hello America Stereo Cassette, Winter 2022)

And Yet the Strings

Again, a rainbow sprouting from your violin–
no, it’s no light. You never wanted to mother.
Music was the way– adagios hanging from
the clouds. But God had something in store–

                                                                come on.

What happened was we were drinking herbal tea
and you told me of new pregnancy within these
silent walls of our favorite coffee shop and I said
I’m sorry, I’m sorry because I didn’t know what

else to. And you said it’s okay, it wasn’t you, just
I had to tell someone. Because you no longer
write symphonies. The instrument collects dust in
your closet– where’s the music? We ask. You

answer: inside, swelling. If there’s one thing
you must hear, she will be a cadenza.

 

(originally published in Chiron Review, Fall 2020)

Power Lines

electricity in the breath
of memory– the back-
country home mom
owns an endless vista
she has men care for
due to spine drooping
a road on her body
leads to membrane and
dad alive in the sky
looking down on her
fields purple or blue
the empty driveway
anyone’s welcome to

 

(originally published in Apricity Press, 2018)

Half

to cut immigration
is to cut me half

-Filipino I am already
halved quartered diced you take

a knife to my mother she keeps
a knife at her neck we both are

American in the blade of the word
I used to pretend to be more

my more-accepted half
to have to choose

is to have nothing

 

(originally published in Serving House Journal, Fall 2017)

I Tell Her I Love Her

I tell my girlfriend I love her
before we go to bed every night.
I tell her I love her in Vegas, in front
of slot machines spinning statistics,

neon colors blinding eyes beyond
our blur of vodka. I tell her I love her
before we fight in a tent on the beach
drunken under blankets and after that, too.

I don’t tell my mom I love her
on the phone when she’s alone
in her bedroom, when she cries
many nights because her twenty-

nine year marriage lives only in memories,
photographs, marginalia, in the musk
of dried sweat on forest-green cargos.
He had dragged an oak limb

after soft rain; now, crusted mud–
crevices alive in the treading
of boots– traces new footsteps
on less-traversed floors.

 

(originally published in Boston Accent Lit, Summer 2016)

From Mother

Live a long life, son. Eat noodles on your birthday.
Al dente. Do it every holiday, so I can live on long

past done spaghetti which sticks upon the wall,
frozen in time against the whims of dun sodden

dust and entities beyond the sounds of crying
from the bathroom at 2 A.M. beneath the black-

dripped canvas of luminous lights. The grass, uncut,
reaches far now above the frizzy tips of your hair

 

 

(originally published in The Birds We Piled Loosely – Issue #1)