it’s a series of bills all this money money money
allegedly turning void in wallet into all this good
shield or beating heart or net but I’m getting your
gray hairs you pick in the mirror how they seem
to crawl from the bathroom floor & appear as the
plague on my head O corporation & government
gavel held to my sensitive nodes I sniff envelopes
which smell of corpses that may all be my own
(originally published in EgoPHobia, Winter 2018)
In our Euripidean illness
we thought the apocalypse belonged
to no one when, in fact, the tragedy was
A tethered shoestring at the feet of all the boys
here– a long intestine packed.
And we were a puddle drinking
rain past the lips of cement until we sank into sleep
and how what we hid in our hearts was money,
blood pulsing green through shadowy veins
the cardiovascular surgeon broke his fingers trying to fix.
(originally published in Cabildo Quarterly, Winter 2018)
Can’t even sustain myself with the hours
I work to make myself; a waterfall of dollars
and dreams splashing off wet stone. I hold no
heart hostage but my own; the heart holds me
hostage through beating, my breathing
a slow decay. In aging I prove nothing
to the universe except that I exist;
through the office, I prove I do not.
Despite the hours, the blood and bone
monuments I erect, then forget–
the steady draining of days worth
not enough to get me by.
(originally published in Sheila-Na-Gig Online, Spring 2018)
In the bask of computer light my boss
says watch for leaks in the room.
I know now what to pray for. Thunder
burps and rain’s radio static steadies
on the roof– a beating applause
that, for once, recognizes all the good
work I’ve done.
(originally published in Unlikely Stories Mark VI, Fall 2017)
I used to find joy in little things.
Like luck on the head
of a penny.
Or a tire chained
to a blue wall
in the subway.
Or two bullets,
Or your glance
on long drives
beside the ocean.
I feel ill. I declare this heaven’s day.
No fool was a folk legend tragedy.
No fool a fish on a hook
reeled from the lake.
Tomorrow my hand leaves
Your name, claws
on the four-drink ignition.
White rose– consider
a wing. Next, a thumb.
Voices, skies so blue…
I’d find your eyes play music.
(originally published in Eunoia Review, Winter 2017)
(originally published in WOLVES, Issue #1)
Why did an apple tree
grow in my backyard?
That’s where the swimming
pool was supposed to go.
I ask not for much.
A well-placed tornado, maybe.
Another plague, perchance,
to rot its every root.
Then a demon, perhaps.
Lucifer the Lumberjack,
chainsaw in hand,
could tempt the tree
with Eve, eat its fruits,
then chop it down, though
trees don’t love women
like I do.
Look, I know it’s not practical.
Jesus didn’t wear a crown of thorns
from an apple tree
but I bear a malus cross
and don’t want to give money
to a heathen
who cuts down
a tree for me.
I could do that by myself,
if I really wanted to. I really
want to buy that pool.
I’m tired of the silence.
I know it’s easier for you
to use your superpowers
to turn the tree into a Bible
that smells like a chomped-in
red delicious. If you do that
I will sue you.
(originally published in Cake & Grapes – Vol. I, Issue II)
Starlight is not equal in the petroleum sky.
Homes know the ocean
but not their owners– cliff’s edge.
Striated fireworks stake and fall,
hurriedly carted by fragile marbles.
Oil salts the earth to lust–
a red akin to blood
and romance seen in films,
romanticism violently envisioned
and burrowed for the claw
of the excavator, millionaire muck
gushed from leaking faucets.
The piping is consistent:
the toilets flush twice– to be sure.
These are where the fingerprints mingle
to create their own pulse– voyeur beats.
So fill your tank with Grey Goose.
Drink Utopia first. There is no price
for luxury but the cost in lost days–
(originally published in altered form in Little River – Issue #4)