(originally published in Third Wednesday, Vol. VIII, No. 4)
literary
Theory of the Universe
Did we learn ourselves from the mirror
after we studied constellations
in ragged almanacs… we rotated mechanical
with a hiss of the so-slow
slowing axis…
No equation… can yet rebirth
a cooling star’s impending supernova
If the family cello were given to you
as it recovered from basement dust…
the bowstring part of me
moves… without asking
to the crescendo of ripples…
and F-minor weeping, the lake
awake not as often at night
the big bang must have stemmed… from a desert string
nervous tremolo through the ages, expanding
like a lung just before that first breath–
whole note for the endless meter…
(originally published in 99 Pine Street)
Eat Your Face
You wanted to eat my face
just as seven A.M. south Oregon fog
conceals trees over a low valley.
I wanted the same of yours.
What you liked was the sky descended:
how you’re able to grip, fleetingly,
the mortal, shifting clouds–
to think, I have touched the untouchable.
Many pines, from a distance, can be held
by two fingers. We can choose to let them dangle
or hold
steady, steady…
The fog consumes and rises
while we watch the sun burn slowly west.
When the rain begins,
the soft pattering against the windshield
mimics the sound of your jaw
fake-chomping my cheeks–
nearly-inaudible clicks.
The speedometer oscillates
between sixty-five and ninety.
The hillsides change so suddenly
with every mile– shifting smiles hidden
by a fog you know will also fade.
(originally published in VAYAVYA)
*Nominated for a Pushcart Prize by Writing Knights Press in 2017
Christmas Eve, 2014
the living room drones and mumbles.
the bone dove sings a petrified song
above the tree, nearly silent enough
to believe a resurrection could occur
in the coming days. pass the stocking
with the kidney stone. bring
the anesthetic. we will drink–
this is the blood bond, the calm,
the thin slicing of ham: bloodless
& calm, torn red wrapping paper
strewn about the room
(originally published in Whale Road Review, December 2015)
A Walk Through Palms
When there’s nothing special about a sunset
lined with palms, there is nothing special.
Trees jut from behind roofs
like green skinny beanstalks extended forever.
Every plane a UFO.
Breathe the collective breaths of everyone.
Walks should be alone,
watching crows circle majestically
above stacks of garbage
bags in shopping carts.
Soon there are words:
first a sweeping hush,
a low hum.
Then the revving of neighbors
and their chatty sportscars.
The emissions enter the brain.
Then the atmosphere.
Whatever that is
is not what I am looking for.
(originally published in The Quotable – 2015)
Tiny Vodka Glasses
love is however many tiny
glasses of vodka we drank
and discarded
sun shards held those hands
of many folds
this little glass-dagger
carves the elegy of hummingbirds,
holds veins in my porous fingers
we sing the wooden desk
in the alley of deep potholes
our branchmouths stripped
of leaves but kindling flame
to scratch the words evenly
scrapes on the whitened palms
the lines intersect always
it is not simple to crumple
those tiny bedroom vodka sheets &
weave them neatly into garbage
(originally published in Loveliest – Issue #1)
Palm Springs
we rode bikes laughing
the sun pedals woof wild
index fingers pointed mountaintops
hiking heat in flip - flops
canopy games spilled blue ink
blueing the vodka pool
on your knees you told me
it was too early
you like to be teased
That was
all we had.
(originally published in S/WORD - Issue #5)
Tongue
mouth sculpture in a gunpoint ell
little gunshot clicks and pops that
wound
when
wielded
well
(originally published in S/WORD – Issue #5)
Pretty Autumn Sunset
Blackbirds suspended in triumvirate.
Clouds in a sea of burnt clay
mold into a blanket, the bed
unmade. Every beautiful sunset,
look:
see the others on their phones
snap photos for strangers,
likers, digital lovers.
Lowball grandeur on a
five-inch screen.
It’s gone in a moment, anyway,
the pixelation of life,
bloated
and trapped
and yours.
Palm trees stand as windmills,
stilled, and they cannot fan
the vertical Culver sign,
risen like held smog.
Headlights on cars move
indistinguishably in time-lapse circles,
one after the other after the other.
(originally published in The Literary Commune – Issue #4, April 2015)
The 2 A.M. Pacific Retreat
nights cold near the ocean
whispers reclusive invitations
Chautauqua, Chautauqua
Andrew Bird’s Q-tip acoustic fills the ears
the long voice pizzicato plucks cluck pluck
scratching, say, the sand munching feet,
the seashells and their blue-moon breath
breathe into your ears the eternal secret
of the ocean, quiet all these sleepy years
How do you leave the wet sand after that?
(originally published in Loveliest – Issue #1)