Two Workouts

Sara dances to a Zumba video on her laptop
at the kitchen table I eat chocolate chip cookies

the dog gets too close the moment she kicks air
he walks to a window to study his reflection I inhale

as Sara does the dog stares back exhales my reflection
consuming me but soon my body how my feet are bare

on coffin wood and Sara throws punches while dough
collapses in my fingers before I move grease to mouth

yes yes YES alongside the workout instructor to techno
beats a pitch of butter sugar flour down my gullet

I have accomplished an entire row from the baking pan
Sara says that’s enough but she means her water break

many minutes into sweat an eternity away from ending
she says her stomach hurts and I get it, mine too

(originally published in Indiana Voice Journal, Winter 2018)

Dogsleep

my eyes been tired recently can’t sleep
though I seen how you wept fatigued
on the bathroom floor wet tile &
we went to your bed the dog followed
& pressed paw against belly then
sighed & snored in a rhythmic breathing
we tried to do the same

 

(originally published in The Virginia Normal, 2018)

Scenery

My roommate takes me
for a walk, or she takes the dog
for a walk. It doesn’t matter.
It’s the second night

we’ve walked each other,
or the dog walked us,
sore throat, brainy fog,
and this time can’t even find

the moon, obscured by houses.
We look anyway, together,
comparing bloom to doubt,
how one is sure, the other

grows, and leaves
crunch beneath as the dog
stops our walking
to pee, to leave another

thing behind. On Sunday
I watched the Niagara dump millions
of gallons into itself, mist rising
into something, nothing. The moon

loomed huge over the bridge
to America towing sunset’s lavender
bed but you can watch a thing die
before your eyes, or not at all–

the way, driving back from Canada
in heavy traffic, I tapped you
on the shoulder on the sky bridge
and said, look, here’s something,

one thing beautiful left, look,
and took the world’s last magnificent,
proffered blue and there, as a passenger,
you refused.

 

(originally published in The Knicknackery, 2018)

To Paige (From Jack)

no one else spell w – a –
l – k jus ta invigarate

our senses & tendons
jus me & u, ta be outside

& sniff da wine in roses, .

when ya dance arms a whirlwind i dont speak
cuz i kno a days come we both dancin

& howlin, listen da moon whisprin secrets
& i dont want ya palms leave my full belly

da way da sun snatch ya gone in mornins.

dont want u to wake : it mean some
time u stay , other time da wooden gate

outside squeak & take u where my nose
cant find u, , sometime fa days . i chew

on bones u gave til my tongue become
a skeleton thirstin . , i wait fa blue sky

ta stop ringin da sun , when da day turn
gray , when u somehow materalize ..

dats when i have u : darkness : u sleepin
on ya bed a bleach & purple catmint .

i pray da bright awful requiem dont
replay– when u rise i wonder if

today u turn ta harmony , , or void
& how long . but

wid u beside me ,
no need ta wonder .–

u,, protected , & me ,
nose fulla ya petals ,

da sauvignon in roses .

 

(originally published in Sediments Literary-Arts Journal, Autumn 2016)

Dog on the Patio

Whenever I let the dog out
onto our small back patio
on sunny afternoons
and he lays on familiar brick

scratching his ears,
nose curious and wandering,
I remember my father

who, in the endless days of retirement,
learned the lawn better
than his calloused palms:

every humpbacked tree and drooping limb,
every snake and gopher hole,
every new and fallen anthill,
every cobweb on the lamppost,

where to find toads after rain,
how to catch them–

when he did not strive to create utopia
by chiseling trees into magazine models,

I often found him on a patch
of freshly-mown grass,
scratching his smoky, sun-basked beard,

waiting for the wind to speak,
to say more to him than I ever did.

 

(originally published in Black Elephant Lit, Spring 2016)

Egyptian Ratscrew

Waiting for a spade, or any jack, really.
The pool is deep in the shallow end.
Waxy chlorine splashes your baby oil eyes.
The sun lies between the tanlines on our skin
which make us ever chameleons. Not that we shift,
but we eat where we are wanted.
I give you the iPod touch with the black fungus.
You twirl your index finger.
Then we leave. The window cranks open.

 

(originally published in Little River – Issue 4)