(originally published in Jet Fuel Review, Spring 2017)
Hollywood
Franklin Avenue in 2015
Two years ago, we would drink tall beers
hidden in black, plastic bags ’til we passed
from laughter, fluttered to fill
our glasses with more.
There would have been more pages
to turn, but none of us spoke our
human language anymore.
Now, a browned frond slumps
between parked cars.
Two teenagers flirt
underneath a palm. Whispered leaves
are fragile– each movement
a link to the next
until it is not.
Their laughs reverberate
when they, too, part. Uncork
those swan bottles–
let them go, graceful
into night.
(Originally published in The City Key, Spring 2016)
Watching Trains Pass By
(originally published in November Bees, Summer 2016)
Why Dogs Would Be Great Film Directors
It was tough to leave for work this morning,
collie’s silhouette usually at the top of the stairs
a shadow slinking, eyes glowing.
Your heart nearly stopped flailing its arms
as it sank deeper and deeper into the ocean.
When you watched Silver Linings Playbook
you saw your dog in the face of Bradley Cooper
those dark eyes shining in the greater darkness–
driving home with the key stabbing the ignition,
you drove wanting anything to please you.
It wasn’t in the trees or the swaying lights
or the Post-It notes crumpled in the bagless bin–
no, collie ran in circles. You reached for a treat,
your heart compiling sand and blowing glassworks–
collie on set with Bradley Cooper, his eyes
on her galvanized eyes and all she wants is ham
you’ve never seen a ham this juicy and
why am I excited about ham and
collie with her eyes makes Bradley
see the ham, want the ham,
want the ham like never before.
(originally published in Nude Bruce Review, Summer 2016)
Hollywood Hills
pluck stars from the heavens
twist a new celestial face
gods like the river no longer revered
oxygen the miracle
light the suffocation
rebirth me in ash
my fame was crucified
gnarled teeth stained
the slain valor of vodka
etch my name on sacred mountain
worship the white gradual chipping of paint
(originally published in November Bees, Summer 2016)
Hoverer
drilling holes in the white wall
to repair the rest of the world
workshirts feed clocks’ hands
ticking forever
circular splash of rosewood paint
wound of silence spent
the loud city
will not silence me
(originally published in Eunoia Review, February 2016)
How to Hit on Ladies
suck in the vacuous space
separating the lines of the
ceiling and the hard cross
of vagary carpet mites –
wave the dueling paintbrushes
until the rims break but ever
so coquettishly whisk
the centipede eyelashes –
twist the crescent mouth to hark
the worthy obeisance of
patriot songs in a way that
conducts mosquito perseverance –
patch the augered suitcase leaking
carrot water but do it so
the bullish cockroach shells
remain intact and walking –
reassure her that the future
is a flowing faucet unhinged
like the music of the Grecian
harmonica in gathered cicadas –
(originally published in Euphemism – Vol. 11, Issue 1)
Clothes on the Bed
the room infiltrates us / fabrics and hangers / bedroom who is this / who are you i / don’t want you / to leave / i / haze / the fog / machine whirs / the pillow / smells like morning / orange banana strawberry / smoothie sweat old / and citrus / the blender whirred / like the black drawer / pulled in and / out / the routine is / the blue / sheet draped / stained forever / the blue / digital alarm / never woke us / sit / sit / black leggings / where are you going / healthy healthy / we draw lines / the visible line / the horizon / with those smoky faraway / buildings / the end is / never coming / we cannot see it / from where we sit
(originally published in The Legendary)
Meditations on Sleeping in My Car
Paradise is worse than this. I’ve pissed
in the golden streets of Beverly Hills.
The stars depart their private cabs,
shoes on the ground. I’ve pissed in beach sand
with the waterbirds, the full balloon
at sunrise, wind swaying. The neighborhood
has my back. I spit fish fluoride
into grass. Splotches of next-day death
in circles brown and black. Windows fog. Yeah
I’m an airplane in a cloud. Should’ve wrapped that scarf
around my neck until my head fell off. The night is
a broken refrigerator, top shelf. Tell that to the rotting
trunk sushi. Still, some spiders creep through cracks and
keep the feet and urine smells out. Bent to a backseat
sockball and time is an envelope I hand to a stranger.
How his home stinks of sweat and mildew
and old Havarti. Fiona has crank windows
and that new car smell and floating dust.
I can’t spit enough. Blame it on the vermouth.
In the morning, I floss my coal moon fingernails
with flamenco strings. Neighbors run
past but who needs pants.
Say hello to the father and his
baby in the stroller. Say hello
to the fleshy whites. Say
hello to everlasting days
of luxury where the days
don’t end, the nights never
end, again and again
the fishing rod window
cranks, to invited crows–
the feasts of mud– say
hello and wave and caw.
(originally published in Prong & Posy, Issue 2)
Injured (Like California)
Los Angeles was a chance, a retreat.
The army of cars sounded like firecrackers,
or security.
The rain somehow escaped.
The hideout was flight: the highway
a drug, a prison.
California was injured– a people debris.
The mountain was a wounded relief–
the face of thunderstorms.
(originally published in 3by3by3 – October 18, 2015)