rust goggles

art began as a war against walls
everything in a painting was in danger of being lost
every object that has been moved each

that has been smoothed every piece
outlined was once a living breathing being
water can dissolve rocks

paint on a canvas can bruise
an audience can be traumatized by art that is not lost
intertwining history with the present

is the divide between
good times things
and bad times things

               good times being the sky painted with eyes
               and bad times the sleepless nights we want
               a different kind of archive

art being our act of evasion

(originally published in RASPUTIN, Winter 2020)

Kusama

Opening blinds in the morning–
infinity mirrors. Sunlight off passing
cars a recollection, each yesterday
our mirrored era. To become
so ubiquitous in the freckling
of city streets, the raindrops
forever dotting concrete–
momentous the window
I each day enter, the full
world a symphony of
repeating balloons.

(originally published in Trouvaille Review, Fall 2020)

M I N T

We wandered the meat-factory-
turned-art-gallery, white wall to
white wall, wondering when to
dispel our abstract selves–
positive, negative, we followed
lines from canvas to grate where
blood of cattle used to drain,
where old concrete holds imprints
of feet. My hand sank into yours
that first time. I still see it there.

 

(originally published in Cold Creek Review, Spring 2018)

Night Train in Wait

We stare at stars until we feel
the cavalcade of stones shift beneath our shoes.
There is an entropy to the universe.
What melody does the rail hold in her ivories?

Do we listen for an engine to ignite
while we tangle in the grass, in the cold,
in the tremble of tracks? Where else to go?
We tremble, too, waiting

for a song from the vulnerable rail
and her sharp of distance.
If the train will not move I still want
to create landscapes with you

and callous ourselves hurtling
past engine content in her still
into worlds where I become wind,
and you, fire–

with a palm on your cheek,
we’re the mountains,
playas, beaches, moors.
All a blur. A quiver.

 

(originally published in Isthmus, Winter 2016)

Gallery Hop

Walking through the galleries on High Street
absorbing art, the watercolors bleed together–

a blue-green pond carries the weight of ducks.
The familiar arches of the Short North beneath

gray clouds, strokes of paint whoosh cerulean
onto wall, a window with its subject unmoving.

I wait stock-still for the art to understand me,
as if a painted cloud could somehow awaken

within something akin to the sound of wind
on the lake in the presence of trees who long

lost their leaves, age marked by a reception to
desire. With whom will I share my barren age,

those outermost rings which mark the end

 

(originally published in ‘the vacant hinge of a song‘, courtesy of Origami Poems Project)