
(originally published in Jet Fuel Review, Spring 2017)

(originally published Spring 2017 in Belletrist, with a reprint in Wizards in Space)
In darkness we find a train:
engine active, body inert.
We walk the adjacent rail’s
delineated steel, waiting for a sign.
A spotlight from the city’s purple heart
shoots starward into clear, and the train
barks at something we cannot hear.
We scamper through the brush,
our clothes and hair full of sticks–
strays rising into the cold shadow
of a home, on the hunt
for what will make us whole.
(originally published in The Piedmont Journal of Poetry and Fiction, Winter 2017)
The days when we would lay
on blue towels by the beach
combing through our Merriam-Webster
holding every fascinating word by the stems in our mouths,
our vibrancy was inseparable from gardens
full of hyacinths and rhododendron and zinnias
and, yes, forsythias, all these flowers in our hometowns
we never knew the names of
until we saw the words on sand-shorn pages,
said the names out loud, grasped endlessly
for petals in each other. No, we bloomed
laughter from our throats, planted seeds
into pits where absence grows in ensuing Aprils.
We never knew what words might appear
on Scrabble nights hunched over grids of possibility and–
strings of letters string surprising words together.
Marionettes, spider webs, violins, shoelaces,
your hair among the rules of nature, and nurture,
here nurturing the garden, here the home
where we tend other flowers– all my love,
I repeated. Forsythia, forsythia, forsythia.
But those beach days were distant, the tide slurring
softly alongside my returns from long unexplainable workdays–
all my love, I repeated. For Cynthia.
Wooden tiles tornadoed to the floor, slapping
the carpet with words we had not invented yet–
there is no remedy for lost trust. The flame
already sleeps in the bed of the mouth.
Cynthia, Cynthia. I did not know a Cynthia–
but I had never been able to name a forsythia
in the wild. The next time I see one
will feel like cheating. Nothing too-known is magical–
there is wonder in inventing nomenclature,
that a word like forsythia can only be made
in moments like anesthesia, with darkness descending
like the cigarette clouds of a severe storm when, in the drift
into a new consciousness, a lilac floats your mind’s pond–
a lilac, maybe, though that’s not what you want,
and maybe, in the distance, you see the blossoming
yellow that accompanies spring, the air golden around it–
the beauty that’s grander than words.
You wish you never learned the name for it.
(originally published in Sheila-Na-Gig Online, Spring 2017)
In memory of Chris Hull
friends don’t
wait for rainy days
to die
there is never
a metaphor
in the weather
the sun laughs
as it always does
when I receive the call
I find the nearest tree
to brace myself
with shade
it’s the only darkness
seventy-six degrees
warm breeze
the car
approaching the hospital
still takes her living
to work
at being alive
(originally published in Muddy River Poetry Review, Spring 2017)
there are many instruments that we are
and many more we are not
such as we are sometimes saxophones
who have not memorized love songs
but we have eyes to read the sheets
lips to blow into trumpets tubas
muscles to crash cymbals
pound the bass drum at night
we remain off-tune no matter time of day
arcs of trombone waves flute trills rainbows
the inhaled swampy atmosphere
of slide-lube and falling domino fingers
down the rigid clarinet air
melodic staccatos of sixteenth-notes
every piece celestas
on wet reed floor
the band room holds its breath
waits for us to play something
(originally published in Beech Street Review, Fall 2016)
Neither of us know
signs to look for
when the other
talks to another.
Glances become knives.
We fling blades
onto caution signs
which clang
then lay
dull
until the sharp
of morning.
(originally published in Thirteen Myna Birds, Fall 2016)
out of wisdom / out of want / so many / things / to not believe /
whether or not / you or I believe / you will end things / with your boyfriend /
I have seen your tattoos / just the surface / of your skin / understand I /
cannot chase / the gilded raven / with closed wings / I press into /
your hair / black against my mouth / the warmth of your ear /
in the back / of the room / holding /
so laugh quietly / whisper / don’t hold onto / anything /
be far enough away / from intimacy / that it feels like / intimacy /
a secret / a terrible secret / the way our mouths / don’t cling /
to each other’s / my hand / on your leg / your head /
turned away / in the back / of the room / we listen / to words / want to fall /
asleep / with each other / we want to / drift / from reality /
the blinds / and the gathers / Monday rain / fog / rain / I’ll help you / dry /
wielding an umbrella / for both of us / to stand / under / where we can / lie /
to each other / more intimately / watch the whole thing / fall asleep /
as the world / puts her weight / on the black / handle / in my hand /
and drains / with a whisper / into the gutter
(originally published in Birch Gang Review, Winter 2017)
i know it’s the other way around
but i see the dogs in people
that intense hunger of waiting
by a wooden door so close to the thrust of opening
i want to eat the walls that keep you away
the doorknob you twist to leave
the blankets you always hide beneath
i hold my waste for hours
the measured discipline
when you speak your breath is memory
what you’ve consumed
i can’t look anywhere else
push me away i cling to you a vestige
of humanity is all remains the last living thing
who would love me
you and your bureaucratic affection
the withholding of every emotion
makes you vulnerable
i was born to want you by my side
you
my lamb
my wishbone
between teeth
like a star holds to gravity
before its collapse
some adherence to light
before the drift
the absolute zero of desire
far from the wild where
we were raised to want
close to where we want to be
(originally published in Viewfinder Literary Magazine, Summer 2016)