Editing Room

Evenings in the video lab laughing at ourselves acting in
perpetual circles the clicks of play and rewind in a dialogue
with eternity rectangular how to zoom into self with microscope
both of us learning but look at you now in the fighter jet
sky tethered to wirings of small precise instruments of war how
we live in the perpetual unknowing state of     I want you always
to come home even not to me because back then
every small moment was contained in its forever

 

(originally published in Street Light Press, Spring 2018)

July

summer mugs me every time
muggy breath and hug of sweat
so hug me hold me let me know
I’m not a cloud who will sink
into a vapor or wave hissing mist

an atmosphere of melancholy hot
days that teleports me to L.A.
stargazing fame because anyone
who meant anything existed far
away celebrities or friends who

wait when you come home to drink
torpedoes in the square then explode
with laughter when telling them how
you lived everyday in a pile of socks
and neverending sunshine

 

(originally published in Abstract Magazine, Spring 2018)

Marilyn Monroe

& part of her phrase of course is
if you can’t handle me at my worst
but there’s a left turn into darkness

no one wants to take &
the signal’s jammed so no one knows
the direction anywhere anymore

just a mirror of the night
reflecting night, a ninety
degree warming sadness glued

onto a body. one silhouette
low into evening, a heat repenting
unknown sin, a snake slithering

out from its hole into you

 

(originally published in Gyroscope Review, Fall 2017)

Background Actors

At the foot of the staircase to the stars–
in the back of the line of actors drunken
from delusion (I’m going to make it),
each of us with hands full of hangers,
heads full of the fame
that glimpses a star, a familiar face,
how we chosen ones flicker
on living room screens
of friends and families–
a blip, a blur so brief
we were almost never there at all.

 

(originally published in The Piedmont Journal of Poetry and Fiction, Winter 2017)

Sunny Days

In memory of Chris Hull

friends don’t
wait for rainy days
to die
there is never
a metaphor
in the weather
the sun laughs
as it always does
when I receive the call
I find the nearest tree
to brace myself
with shade
it’s the only darkness
seventy-six degrees
warm breeze
the car
approaching the hospital
still takes her living
to work
at being alive

 

(originally published in Muddy River Poetry Review, Spring 2017)

Why Dogs Would Be Great Film Directors

It was tough to leave for work this morning,
collie’s silhouette usually at the top of the stairs
a shadow slinking, eyes glowing.

Your heart nearly stopped flailing its arms
as it sank deeper and deeper into the ocean.
When you watched Silver Linings Playbook
you saw your dog in the face of Bradley Cooper
those dark eyes shining in the greater darkness–

driving home with the key stabbing the ignition,
you drove wanting anything to please you.

It wasn’t in the trees or the swaying lights
or the Post-It notes crumpled in the bagless bin–

no, collie ran in circles. You reached for a treat,
your heart compiling sand and blowing glassworks–

collie on set with Bradley Cooper, his eyes
on her galvanized eyes and all she wants is ham
you’ve never seen a ham this juicy and
why am I excited about ham and

collie with her eyes makes Bradley
see the ham, want the ham,
want the ham like never before.

(originally published in Nude Bruce Review, Summer 2016)