In Another Life I Am Content Enough

What simulation’s numb you ask
if I want children this time

definitive we boil Kraft mac
and cheese. I toss our meager sweet

potatoes in oil and ramble about financial
self-worth the oven nearly at four hundred

degrees. I can’t stop petting your shoulder
the ashy cat roams in the loam of our love

our newly swept hardwood the house
our home for now so limited already

steam from the inside a pressure
cooker of different timelines. What river

these converging lives to seek meaning
in the biological job postings some of us

are born to call. My dad was sixty-one
when I was born my grandfather clock

ticks nonexistent. We have gorged in all
our broken cabinets to rustle the blue

plastic grocery bag pile. I can’t stand
to live another day preoccupied.

(originally published in Flights, Summer 2021)

Grief Poetry

The summer shattered the year
Dad passed, and Mom’s grief
became the fall; to cope, she
wrote her first poetry, wrote
sheets of ice that turned to
winter months of seeking
meaning in icicles– living
alone, she praised the blades of
cold above her door, believing
Dad her angel sharp enough to
pierce the heart of loneliness.
There was no Thanksgiving
that year, no Christmas.
The frigid core of family–
she kept writing our story.
She would not let us forget.

 

(originally published in Z Publishing’s “America’s Emerging Poets Series: Midwest Edition,” 2018)

Memory

Inconsequential some things I remember–
each World Series winner
of the past forty years or, say,
brushing my teeth last month, blood
in my spit, then finding the measured
infinity of my eyes in the mirror.

I forget most things about my father
most days.

Sure. I remember
the gray-red beard,
his crooked back, faded jeans.
The freshwater scent of Polo Blue.
And those brown, gentle eyes–
but his voice?

Mixture of sediment and tire
smoke rising from gravel,
a ‘55 Ford Thunderbird fading from view.

I started journaling to remember better
but now write poems under dim lamp on my desk.

(Years later, you know which
one. Gold, curvable neck. A thrift store.
But you’re still no good
with the finer details.)

A waterfall of my father. Illusions
of life doodle-sketched
in some spacey lobe of my mind.

I wonder: do I give myself enough
credit? What’s worth remembering?

I am inside a coffee shop, writing,
surrounded by people I won’t recall.
I look for a subject. A gray, old man sits
on the patio with book and beagle
yet never goes inside to buy anything.

I pay for him. I pay him
in remembering.

 

(originally published in Wizards in Space, 2018)

Meditation on Muscle Memory

If I had musical talent
I wouldn’t write poems.

Guitar-grown fingernails.
Nimble strings.

There’s no need
to lie. I couldn’t bring myself to try

when my parents thought
it’d be a good idea for me
to take piano lessons.

I had Game Boy eyes
and the Final Fantasy theme on repeat.

My dad had already explained
the difference between basin wrench

and torque. Wasted an afternoon
taping leaking pipes.

Like many of his time
he knew plumbing, mechanics,
home improvement

then brought me into rooms with broken
machines. My mind was Mickey Mouse
spelling words and song,

not the kind to vivisect
a bird to learn the function.

All I knew were not even stories yet
and still my hands
sing few callouses.

 

(originally published in Pirene’s Fountain, Spring 2018)

Library Days

That gray summer was spent buried
in fantasy novels beside my father’s grave.

It was rain in bitter heat, a whirlwind of pages
as my hands returned to oak, night lamp aglow.

Always I end in a nestle of branches and words,
longing to strip my faded jeans and unbathe,

ride a dragon into goldenrod, triangular
wings swallowing the neutral sky–

so often I shovel terrain in my mouth,
wishing time erode the sediment

that builds cities in my body,
skyscrapers in my throat.

 

(originally published in The Piedmont Journal of Poetry and Fiction, Winter 2017)

Ghosts

Heard the word son alone in the kitchen
of my childhood home.

His gravelly drawl was unmistakable.
I waited for him to say more, but

memories of my father are strangers
to each other. And every stranger

becomes a ghost passing
through another stranger’s life.

A wind tapped at the window,
wanted to say something, too.

When he was alive,
I did not listen

until I wanted
and I did not want

until he was silent
in a disposable suit.

I gave it a shot: pressed my ears
against the shingles, cold.

The wind
mimicked ghosts.

 

(originally published in In-flight Literary Magazine, Fall 2016)

I Tell Her I Love Her

I tell my girlfriend I love her
before we go to bed every night.
I tell her I love her in Vegas, in front
of slot machines spinning statistics,

neon colors blinding eyes beyond
our blur of vodka. I tell her I love her
before we fight in a tent on the beach
drunken under blankets and after that, too.

I don’t tell my mom I love her
on the phone when she’s alone
in her bedroom, when she cries
many nights because her twenty-

nine year marriage lives only in memories,
photographs, marginalia, in the musk
of dried sweat on forest-green cargos.
He had dragged an oak limb

after soft rain; now, crusted mud–
crevices alive in the treading
of boots– traces new footsteps
on less-traversed floors.

 

(originally published in Boston Accent Lit, Summer 2016)

My Father Was a Beekeeper

I always knew my father was allergic to bees
but it wasn’t until his obituary
I learned he was once a beekeeper.

In those days, I hear, he prayed
to his veil– only to re-emerge, hours later,
having danced with God
under every umber swarm.

He was a gifted storyteller
but it wasn’t until his stroke
at seventy-four made me listen,
when his mouth betrayed his brain.

In his final years he would repeat,
the end of bees is the end of man.
So, heaven in the soft petals
scattered in the grass.

Young violets lined his coffin.
All I wanted was to listen

to stories he told before,
details I had forgotten.

Around the cemetery,
bees still glissando

through gardens not unlike the ones
he dug into his blackened fingernails–

honey and sweat, story-
pollinated requiems, harmonies

heard in bountiful
fields of bloodroot.

 

(originally published in Kaaterskill Basin Literary Journal – Spring 2016)

*Nominated for the Best of the Net Anthology

Happy Hour Whiskey

I don’t think my dad would be proud of me
writing poems on bar napkins
after that fifth happy hour whiskey.

This is how I want it: to be disengaged
by the time my uniform cuffs roll
to my eyes in stupor to avoid the

solemn eyes of ancestors in the sky.
Transparent Mufasas and steely voices
judge me like America judges Kardashians.

The reality is you can rewind the DV tape
back to the beginning tomorrow and show me
the footage of my stumbling into the driver’s seat.

The cosmos roll in their graves.
Meanwhile I am the last child
who can cast the line onward–

past, present, future.
A syzygy from birth.
The headlights wane.

 

(originally published in Jawline Review, Spring 2016)

Rob Delaney

Hi, I am Rob Delaney.
I am not Rob Delaney

and he would never begin a five-minute set like that,
but before California dangled blackberries
above my granite mouth,

Rob showed us the way and the truth and the life
(John fourteen-six by the score of silent thumbs)

god, twitter fame was the only thing
that could bring us nearer gods we do not believe in

this big bang of a perpetually expanding following
we cannot fully understand

by choice I never listened to robins
conducting high-frequency symphonies

(but I did read Last Call of the Passenger Pigeon
by Daniel A. Hoyt that summer
and could form the parentheses of a whistle
enough to calculate the slow kettle of tea)

my father would sit on a pig stump
(an oak whose life he ended himself)
and watch birds fly the superhighway,
clouds like rush hour in L.A.

like some hippie saint claiming
all that is God
is not man-made

I always thought of bird-watching as a way
for the elderly to augment their loneliness

now all the young men I know
fetishize loneliness in themselves

 

(originally published in LEVELER – Summer 2015)