Firenze

     open shutters overlook
   bells    umbrellas      energy
I    watch all day I am
  one pedestrian watch
              as        clock hands reach
slowly       one way                  up
to us which direction              walk
the bridge over the river
time the cobblestone path that
firms as marks hands gaff tape
on what slips                     this
plane this coil           weeks
     wanting not just this country
to last forever but what seeds
of doubt to be taken by wind
            stolen          by gnats
who sneak and fly into our space
if they could               digest what
we     put down plans to live
here in two years that cannot
come too fast it will arrive
a bullet         train when we are
sleeping on a humid night
in the                    future
                                        our
traveler bags                   brown
    and green     means
the forest meaning         opposite
of          open road if time
were this ambiguous than
I want nothing to do with it
but its hands are in everything
     bugs in the unfinished chianti
     drown        and            nothing
I can do to help
and I don’t want to
      drink   but I do

(originally published in The Round, Spring 2025)

In Kazimierz I Chased a Pigeon

                      holding a cigarette

                                                    until it flew into the mess

                              of a tree

      smoke

                                    like a white twig

               I wandered

                                   onto the crosswalk

                                                         without looking

             the black sedan didn’t stop

(originally published in The Kolkata Arts Blog, Summer 2024)

At Azorean Café

The party behind me laughs
in my sadness. The blue walls hang
hook in me. Even the painted violets–
islands. How can a restaurant make
my table larger? I am spreading out–
a tendonless goo– and still, the
server checks on me. I swear she says
have the Portuguese custard carcass.

(originally published in The Los Angeles Review of Los Angeles, Summer 2020)

Rob Delaney

Hi, I am Rob Delaney.
I am not Rob Delaney

and he would never begin a five-minute set like that,
but before California dangled blackberries
above my granite mouth,

Rob showed us the way and the truth and the life
(John fourteen-six by the score of silent thumbs)

god, twitter fame was the only thing
that could bring us nearer gods we do not believe in

this big bang of a perpetually expanding following
we cannot fully understand

by choice I never listened to robins
conducting high-frequency symphonies

(but I did read Last Call of the Passenger Pigeon
by Daniel A. Hoyt that summer
and could form the parentheses of a whistle
enough to calculate the slow kettle of tea)

my father would sit on a pig stump
(an oak whose life he ended himself)
and watch birds fly the superhighway,
clouds like rush hour in L.A.

like some hippie saint claiming
all that is God
is not man-made

I always thought of bird-watching as a way
for the elderly to augment their loneliness

now all the young men I know
fetishize loneliness in themselves

 

(originally published in LEVELER – Summer 2015)