Warehouse Beach

The warehouse art gallery could never be mistaken for the beach,
even as curators charade sand across the dancefloor,
make us remember desire. Violins strike the throbbing air
with an electronic pulse, a horsehoof beat activating

the summer IPAs we drank beforehand to create
our summer selves. It ends. You end. At home later on
we watch documentaries where owls hunt forests for prey.
I pray we will soar but never hungry above branches.

Mostly I pray for our hearts to not be plucked raw, how stranded
and helpless we can feel in a new town while the world whirls
a thousand miles per hour– we stumble through sliding landscapes–
sand on concrete wails for sun, for sunset wind to whip

through industrial, unfinished interiors. We dance, or run,
until light draws herself from the ocean’s muted stone.

(originally published in Crack the Spine, Winter 2016)

Mean Machine

The only good thing in this city
is my 1968 Coupe– long, slick, olive
green. Brakes, good. Tires–
fair. I may have worn the rubber too quickly
the way I sped through red lights after you said Jesus
would save me in these hard rains that summon
mud from yesterday, hell onto asphalt, and hiding
under the sheet you wouldn’t show me
your face anymore, said everything
turns to wine in time, but in this city there
are thousands of dry fish waiting for rain,
and you can be a kind of Jesus, you can
redeem your soul for bread.

 

(originally published by Eunoia Review, Fall 2016)

Broke in L.A.

The only deals I actually found in Vons
were in clearance. Beers half-off per bottle.
They’ll be ready in a box in my too-orange,
too-granite Public Storage space when I am.

Bearded teens saunter by in lumberjack caps.
I will wait for more significant events in my life
to drink the harp whose tones keep me moving.

Think about teeth– among the homeless drifters
I probably consume the most peanut M&M’S,
filling my days with processed rainbows and crunch.
How do you stop? I was at the 7th Street Metro, one a.m.,
no one there and the halls echoed in perpetuity.

Purple line for purple folk. I’m purple
from dehydration. Mixture of gravel and headspace.
Play me some ukulele. The strings react to the roar
of coming trains, twenty minutes late.

This is what I hear: my name is Grace.
I want to direct, and these are my roommates.
I realize even in the city’s darkest depths,
no one is alone, even after the dream fades.

 

(originally published in The Wagon Magazine, Autumn 2016)