Attending a Polo Match on the Ten-Year Anniversary of My Father’s Death

Death is in the shriveled blue and purple
hydrangea bouquet I gifted you. Kathy
bought the same, smaller, but they did not last
so much as linger. Mom calls me from Macy’s–
where she has sold colognes for thirty years–
and says she still struggles. But, on the phone,
I am drunk on a beach towel in a horse cemetery
where Juan Carlos and his team of red ride in
circles over forgotten bones, chasing a ghost-
white ball with a mallet through the empty space
between goalposts. In the first chukker, my sister–
who broke the news I somehow already knew
with a call in the dark of a dorm room– texts
me that she’s thinking of me today. At halftime,
when spectators are invited to flatten divots
on the field with their shoes, Kathy leaves
to help her family move, and the moment
she reverses her car from our tailgating spot,
I answer a call I am unaware of from my other
sister before seeing her text ask if I am okay,
that it sounded like I was in an accident
and drove into grass. No, I tell her, I am day-
drunk among ponies in the withering days
of summer. But what I don’t tell her is
on the way here, Kathy didn’t see the turquoise
minivan she nearly plunged into, and all we could
do as passengers was clutch the leather beneath
us as she sped full-throttle on thin and curvy roads
through the woods. We prayed to whatever tree
was nearest– birches in a blur– prayed the whole forest
to provide a signal to remind us we are, briefly, breathing.

 

(originally published in Sampsonia Way Magazine, Summer 2020)

World Series, 2019

First baseball game I’ve seen this season– game seven
of the World Series, Houston versus Washington. A sea
of orange in Texas. Scherzer versus Springer. Joe Buck
talks about muscle injections, pinched nerves, breaking
ball– full count. He says this series is full of big swings,
big emotions– isn’t that a normal week? Dad watched
every Cleveland game. Ever. For a summer I did,
too, but October is chillier than usual. Last week, we
buried my oldest brother. We used to play sports
games– Triple Play 2000, Gran Turismo– on the
basement’s cold, brown carpet, where all physics
hurtled toward inevitable destinations: a ball singing
through the air into a blurry glove, or tires spinning
through some grainy tunnel. We’d trade wins, half-
luck, but there was always a conclusion. Last year,
I held his hand in the hospital. He squeezed my
fingers and said what he couldn’t with his eyes.
Last week, he didn’t get the kidney he needed.
When Washington wins, I see men cry on each
other’s shoulders. When my brother dies, my brother
cries on my shoulder. I cry on his shoulder.
And when we look at each other,
we find someone we both miss.

(originally published in Knot Literary Magazine, Fall 2021)

You Are Going to Kill My Mother

I guess a pandemic’s a time
to get wasted. I want to, too.
Badly. But crowds are universes
of a billion universes,
complex ecosystems in each
of us too small to see.
Most years I squeeze
into the tightest space
to buy the cheapest beer.
But Mom sells colognes
to the relentless public
at the mall, still pointlessly
open.

One of you knows someone
who knows someone
who wants to go out and
smell like sandalwood tonight.
And in the trillions of
tiny transactions we
do not know
happen each time
we step outside,
the actual virus
will make its way
into my mother’s
lungs. When
she– in her mid-
sixties– has to go
to the hospital,
but there’s no
availability
anywhere
anymore
to treat her,
I’m going to
remember what I saw:
you in a crowd at a bar
on your Instagram
stories. And I am
going to blame you.

 

(originally published in American Writers’ Review, Summer 2020)

2.16

I can’t talk about money I have none
      I am green in love in the black in life

the debt of my ancestors I am
      someone’s deficient ancestor

though my family is dying
                    one at a time deeper

into ground and deeper into soil
                    the sound of my sister

sobbing though she can’t be here
                    at the funeral she would if

she could
                    there’s always next time

(originally published in Ariel Chart, Winter 2021)

Grief Poetry

The summer shattered the year
Dad passed, and Mom’s grief
became the fall; to cope, she
wrote her first poetry, wrote
sheets of ice that turned to
winter months of seeking
meaning in icicles– living
alone, she praised the blades of
cold above her door, believing
Dad her angel sharp enough to
pierce the heart of loneliness.
There was no Thanksgiving
that year, no Christmas.
The frigid core of family–
she kept writing our story.
She would not let us forget.

 

(originally published in Z Publishing’s “America’s Emerging Poets Series: Midwest Edition,” 2018)

In Charleston, the Day After the Shooting (2015)

I.

a statue of a dead confederate soldier
looms over the city

community signatures
on the broken cast of a thin tree

the resounding message in red
marker: LOVE WINS

(if love is a gun smoking heavenward
and if love bodies slumped in pews)

II.

a fellow wanderer asks me to photograph him
in front of the scene

he smiles

then takes his iPhone
back
among the strangers

III.

I was a Catholic boy

lost
my way as a man

yet in presence of steeple
and jagged and mighty
tragedy

arrows of prayer quiver inside me
then anger
at tourists and cameras

I know I’m part of
this exhibitionism problem

we’re a crowd of resounding bells
waiting for the next funeral to begin

 

(originally published in The Magnolia Review, Summer 2018)

Death, 2009 (College)

Flowers & God–
you tell me, slipshod,
there’s an afterlife
in the party we’re cheersing
to tonight our whole life
with small glasses of Granddad’s,
noisemakers, & drinking
games. I’d like to drown
the tissues
in something, listen to Gaelic
music like Dad used to
driving us from school with Pizza Hut
wafting from the trunk those
sunny afternoons. & now that you’ve
lost someone you’re willing to lose
your Bill Hicks-views-sense-
of-self-meaning like we all
funnel ethereal spirit into sky
& swig the rain with
drunken angels I know
you know you’re better than that.
I know you know once
the last attendee’s passed out
on the couch heavy breathing
lips purple you’d check
on him, too. You’d be alone
in the house you grew up in
with phone in your hand
calm and through the static of 911
racing to get the address out
the foaming of your mouth
and when a cop comes you
beg please don’t break this party up
and deny the red flashing lights
come

 

(originally published in 8 Poems, Summer 2018)

Kentucky Murder Mystery

no blood
where they found
my uncle
on the kitchen floor

hole in his heart
gun on steel barstool

on the drive to the wake
my aunt admits
she suspects
the eldest son

when I meet him
the first thing he says is
someone stole my idea
when I wrote Dexter in the 90s
I always wanted to write
about serial killers

when searching the room
no foam erupts from
volcanoes of old couches
no fingerprints to find

his suicide does not add up
my aunt says again and again
examining scrubbed floors
for heavy footsteps to appear
when nothing else will

 

(originally published in #theslideshow, Winter 2018)

Widow

Every night Mom drowns
in loud TV next to dusty organ
bloomed with portraits. Family’s

family, including things:
the security system greets her
when returning from the store.

The red carpet, the torn couch,
the gunky dishwasher. Coming home
from work through a sea of dark Ohio

into a reverberating house of off-white
rooms so silent the garage door screams
shut. The floors don’t creak, they wail

and faucets cry. A cabinet full
of Cabernet. A corkscrew hangs,
rusted at the hinge.

(originally published in Oyster River Pages, Summer 2018)

Unemployment Dirge

I have given up on adulthood this time
at least not trying to pay bills
every electronically white-licked envelope
arrives the kiss of a faceless reaper
but I’m not playing that capitalist game
of unending rain filling plastic
cups the days that spill
on plain tile to move
the needles of hairs
and dirt I never
knew was missing

 

(originally published in Foliate Oak, Spring 2018)