Rollbacks

The American
disease: ills of

environmental overload
but these stings

are far more sophisticated
than thought

and soon we will
even overspend

on food all with a
residue at our plates

our heads will Ɵ∙∙∙ Ɵ∙∙ turn Ɵ∙∙∙
to the upcoming void Ɵ∙∙∙ our air Ɵ∙∙∙ Ɵ∙∙

(originally published in The Literary Heist, Winter 2021)

PGH / Capitalism / Aimless 10.29.19

refractions on a shadow still the boom
mic lingers overhead / birthday candle
lit in the dough of Hofbrauhaus pretzel
white / purse of gold in a Fogo de Chau
group / illusions you with wealth / blue
yellow balloons framing the window at
Pitt dandelions beneath the barbed wire
public / I’ll be in Charleston alone / on
Thursday away from public / stairs tick
infestations / lift your pitcher-hands in
victory when faced with fall’s expanse

(originally published in Thin Air Online, Spring 2021)

Poetry Break

I attempt to translate the goo in my brain into something both palatable and relatable
whilst contemplating my grim employment prospects. Zigzag, zigzag go the roads
in a city I never expected to inhabit. Pittsburgh’s hills are steep. I expect at a certain
acceleration at an erroneous angle my Ford Fiesta will slow-motion backflip and
scrape the top side metal against the gravel and I’ll drop to where I started. You
ever read Catch-22? I keep picturing the pointlessness of the flying. The missions,
day-to-day. Figure eights inside the clouds and never further. I can’t with supervisors.
Hierarchy, don’t tell me what to do. I will, though. Mop, drive, fetch, catch, good
little doggy
. I can barely keep my tongue in mouth. Can barely control my saliva.

(originally published in On Loan From the Cosmos, Spring 2020)

Late for Work

I expect mountains! Unrealistically
my brain brims with possible
outcomes: you’re late for work
again in Aurora, Ohio, the passing
green whooshing around you–
all I fear is accident, the casual
mistake, the narrow passage
of time I waste still looking
in west’s general direction,
like I could cause a change
in the wind if I willed it, if
I asked God for a second
helping of mashed potatoes
at my mother’s lonely house
that sits in a dark gallery
at the edge of my– our–
relentless American street.

(originally published in monologging, 2022)

You Are Going to Kill My Mother

I guess a pandemic’s a time
to get wasted. I want to, too.
Badly. But crowds are universes
of a billion universes,
complex ecosystems in each
of us too small to see.
Most years I squeeze
into the tightest space
to buy the cheapest beer.
But Mom sells colognes
to the relentless public
at the mall, still pointlessly
open.

One of you knows someone
who knows someone
who wants to go out and
smell like sandalwood tonight.
And in the trillions of
tiny transactions we
do not know
happen each time
we step outside,
the actual virus
will make its way
into my mother’s
lungs. When
she– in her mid-
sixties– has to go
to the hospital,
but there’s no
availability
anywhere
anymore
to treat her,
I’m going to
remember what I saw:
you in a crowd at a bar
on your Instagram
stories. And I am
going to blame you.

 

(originally published in American Writers’ Review, Summer 2020)

My Employment History as Jenga Game

                         I see the opening
                                  can’t breathe
                                                 when placing down
                                        the block–
                                                                    one wrong move
                                     and I’m living in my car again.
                            Cheaper rent. The simpler things–
                                       brick house,
                                                   blue tuxedo–
                                             were romantic once
                            but my mouth is full of blood, teeth
                                                                       falling
                                                                                 out,
                                    my stomach yellow-splotched
                                                             (but not from sun).
                                 The rocks in my shoes,
                                                         holes in my
                                                                         wallet,
                                                   ripped nets my lovers fall
                                                                                     through
                                                       (rely on me?
                                                                           They know
                                                           I grind my teeth in sleep).
                                 How summery it was to think I could
                                        make the next job work, mountains
                                                                  of manila folders
                               perpetually stacking, tumbling–
                                                  the dim light’s exit blocked
                                                              from collapse.

(originally published in Stickman Review, Fall 2020)

In Another Life I Am Content Enough

What simulation’s numb you ask
if I want children this time

definitive we boil Kraft mac
and cheese. I toss our meager sweet

potatoes in oil and ramble about financial
self-worth the oven nearly at four hundred

degrees. I can’t stop petting your shoulder
the ashy cat roams in the loam of our love

our newly swept hardwood the house
our home for now so limited already

steam from the inside a pressure
cooker of different timelines. What river

these converging lives to seek meaning
in the biological job postings some of us

are born to call. My dad was sixty-one
when I was born my grandfather clock

ticks nonexistent. We have gorged in all
our broken cabinets to rustle the blue

plastic grocery bag pile. I can’t stand
to live another day preoccupied.

(originally published in Flights, Summer 2021)

2.16

I can’t talk about money I have none
      I am green in love in the black in life

the debt of my ancestors I am
      someone’s deficient ancestor

though my family is dying
                    one at a time deeper

into ground and deeper into soil
                    the sound of my sister

sobbing though she can’t be here
                    at the funeral she would if

she could
                    there’s always next time

(originally published in Ariel Chart, Winter 2021)

Coca-Cola Commercial

If I live a modest life I won’t know what it means
when the pipes burst or the banks bust. Either means
money I don’t have. Meat the Earth has. I’ve wanted
to travel but I know airplane fuel results in polar bears
dying on dry soil. Think Coca-Cola commercials with
the Arctic night preternaturally night. No snow, no
snow, and after airtime you crave Coke.

(originally published in Quince Magazine, Fall 2020)