bridge

28th Street Bridge

/ James Croal Jackson / Leave a comment

Every time I drive the 28th St. Bridge I always make the joke
to myself– should I really be driving on this?

It’s a paunchy punchline to no one and still I apologize for it–
a comment on the bridge’s chipped green paint and rusted

hinges, the (perceived) rickety short-distance, its creaking (I
don’t hear a thing). How close I’ve been to a laugh, some snicker

into an abyss– I’ve said much worse to people and not apologized,
driving over the strip after a fight with my lover, suspended

in the air a silence like tracking a FedEx truck with a package
you know will reach you but when? That apology– the tethering

between the space of sound, the hum of a hungry engine,
covalence of steel and structure bonding across a void.

(originally published in where is the river, Winter 2021)

Fog

/ James Croal Jackson / Leave a comment

We inhaled fog on the Golden Gate
along with traffic exhaust.
Foghorns cried names
we did not recognize.
Car horns, names we gave ourselves.
From this high, you said, there is no good
way to fall. We scrunched our fingers
to encapsulate the small
fragility fog brings– how, in a moment,
everything can change / fog
of ghosts rippling waves from long-
passed boats / fog of sitting in silence,
windows down / fog of steel cable’s
fading red / fog of missing
what we lost while sun cuts a way

 

(originally published in Eunoia Review, Fall 2016)

Golden Gate

/ James Croal Jackson / Leave a comment

I listened, during that foggy morning stroll
on the Golden Gate, when you alluded
to what it must mean to jump,
how it must feel to fall.

The foghorn blared every five minutes
from some ship we could not find beneath us.
We peered our heads over the low railing
and inhaled the gray.

Red telephones rang in our heads.
I can still hear the ringing
from the hotel’s broken phone–
thin wires dangled into lines

on our palms, curved and infinite–
an atlas to guide the whispers
we cupped into our hands
at night.

I feared faraway screams
or the deafening sound of cymbals, shards
of metal launched from the hinges
of what was thought secure–

I did not expect
in an instant, without percussion–
I did not expect the fog, how sterile
it seems, like the afterlife, how it turns

the familiar into silhouettes–
to make this any easier.

 

(originally published in riverbabble, Issue #28, Winter 2016)