Capstone

among the blue desks was a meager
audition for adulthood crumpled

into a mess of wooden shadows reciting
barbell lines on the film school second

floor (stair steps closer to Orion) how
I was dreaming young of the world’s

grand magnanimousness suffused
with balloons that smelled of palm frond

everglades my school-sanctioned camera
would record the nightglow trees by lights

of Coe Lake where it snowed pine cones
in the backyard of my mother’s house

where acres stretch forever rugs of green grass
and hunger the endless hunger for somewhere

anywhere else

(originally published in KGB Bar Lit Mag, Spring 2021)

NYE, 2010

that was the monochrome new year
I reached for your leg like a frog with long
tongue and you were on
the couch flyswatting everyone

the walls were drunk too the way
we behaved in the wild dorms
animals celebrating the turn of a page
the setting of the sun it was winter

in Berea and we held each other
like it would never be warm
again we caught snowflakes on
our tongues left black bottles in dead grass

 

(originally published in Datura, Fall 2019)

Past 4 A.M. at Pizza King

wasn’t that how life
was supposed to go?
ah, college followed

the whims of fun.
it turns out I stayed out
too late in its shadow

and now capitalism
is the only one
who wants me to follow.

he says
you’re thirty now
so have some drinks

and pizza
if you want
dab the grease

with a napkin first
but don’t limit
yourself to one

 

(originally published in children, churches, and daddies, Fall 2019)

Editing Room

Evenings in the video lab laughing at ourselves acting in
perpetual circles the clicks of play and rewind in a dialogue
with eternity rectangular how to zoom into self with microscope
both of us learning but look at you now in the fighter jet
sky tethered to wirings of small precise instruments of war how
we live in the perpetual unknowing state of     I want you always
to come home even not to me because back then
every small moment was contained in its forever

 

(originally published in Street Light Press, Spring 2018)

Sunny Days

In memory of Chris Hull

friends don’t
wait for rainy days
to die
there is never
a metaphor
in the weather
the sun laughs
as it always does
when I receive the call
I find the nearest tree
to brace myself
with shade
it’s the only darkness
seventy-six degrees
warm breeze
the car
approaching the hospital
still takes her living
to work
at being alive

 

(originally published in Muddy River Poetry Review, Spring 2017)

The Photograph Was a Drunken Winter

slackened falls into chaos: each plod
a sobering imprint on snow

buzzing cavernous hearts
white honey swathes the air

the dewdrop pale of her shirt, arms curved
from the door in bent-seven candles, icicled

waxen breath hissing this
is the moment sculptured to ice:

a future with gluey trees barren at night,
tongues born licking telephone poles

static moments stretched to angel hair
feel like rare dreams caught in dim light

 

(originally published in Scarlet Leaf Review)