I switched to Apple
after such staticky reception
meaning I’m anxious
for the bite– the teeth-
piercing, tedious call,
tiny wires inside me
moaning your song–
which is to say I never
was an android in search
of blue requiems and
we’ll say I love you
and it’ll still sing.
(originally published in The Los Angeles Review of Los Angeles, Summer 2019)
(originally published in Gambling the Aisle, Summer 2017)
the weight of an axe sleeps
between us in bed.
we dream of horses
wanting to whip us
until the stable
lives up to its name.
the pawnbroker’s hunched shadow
further crumples into shadow.
there it is, a black apple–
and your pupils, telling truths into the dark.
(originally published in Pudding Magazine, Winter 2016)
The trees are dead, she said.
Peering outside, it was true:
A still-barren sixty degrees, sun
meekly reveling in its new warm.
A week ago, our mother cut down the tree
we picked apples from as children.
They were small, red, never delicious–
brown and burrowed with worms
because anything sweet from the skin
isn’t as sweet as you might think.
All those colorful lights we tied around
the necks of plastic and decoration,
the way we choked the holiday,
wrung out the last ounces of life
from the animal ornaments on every pine.
The walrus with the broken tusk.
The hyena whose laugh can nearly
be heard. As if anthropomorphizing could
ever atone for the past but I would love
to believe in a world where a fragment of
a tusk means something is truly missing–
perhaps rickety laughter ringing through
thin walls, dominant as the wooden organ
moans his mantra: everything in this world
is connected. Not every connected thing
is aware of its living, its connection.
But the way fingers dance deep
resonance out of the organ’s shifty teeth
to provide holiness for the changed house
is the gift we must open for ourselves
with our hands full of music– a sourness
in harmony, an ode to shriveled apples.
(originally published in Flatbush Review, Winter 2016)