Thanksgiving, 2015

The turkey was sacrificial. We dug
our fingers through dark meat

to retrieve the stuffing but avoided
the controversial topics, the fat on our bones.

What bubbled was the broth, salt
on stone, and Mom drank sparkling

juice cocktails, pretended it was wine–
laughter compressed from the mash

in our mouths, the soft chew and gravy.
How simple it would be to spill grease

from the pan over the tablecloth, so temporary–
ten years ago was the last we all celebrated,

the last our talking bounced from mouths,
caught softly in our ears. After the funeral

we peeled grapefruit. Its rotting meat
blessed a white plate for days after the feast,

when we gorged enough of ourselves
to ask what it is about the lumps in apple pie

we savor, when the tartness
burrows new holes in our teeth–

maybe it’s the cutting, dulled knife on pie,
and the serving– one piece on porcelain,

a fragment, a memory
of what it means to be whole.

 

(originally published in Jazz Cigarette, Fall 2016)

My Father Was a Beekeeper

I always knew my father was allergic to bees
but it wasn’t until his obituary
I learned he was once a beekeeper.

In those days, I hear, he prayed
to his veil– only to re-emerge, hours later,
having danced with God
under every umber swarm.

He was a gifted storyteller
but it wasn’t until his stroke
at seventy-four made me listen,
when his mouth betrayed his brain.

In his final years he would repeat,
the end of bees is the end of man.
So, heaven in the soft petals
scattered in the grass.

Young violets lined his coffin.
All I wanted was to listen

to stories he told before,
details I had forgotten.

Around the cemetery,
bees still glissando

through gardens not unlike the ones
he dug into his blackened fingernails–

honey and sweat, story-
pollinated requiems, harmonies

heard in bountiful
fields of bloodroot.

 

(originally published in Kaaterskill Basin Literary Journal – Spring 2016)

*Nominated for the Best of the Net Anthology

To Emily (From Angel)

To run away would prove
the wild still within me,

taming that short fence with my claws
to catapult into the trees where birds

and squirrels and spiders sleep alone.
I look starward when you lure me

out among the sparrows. I am no monster
who lurks in twilight, but sometimes

exist memories I never made, when cool air
rushes into me through the window screen

like the moon commanding the tide–

I am not fully water but, like you, an animal embedded
with her feral past– my sisters teach me to hunt,

mice dangling from their mouths that haunt afternoon naps
on your heavy bed– my beautiful sisters never knowing

how it feels to be a princess, gold and pink
tiaras glistening between their royal ears.

I would not belong in those sprawling
forests from my dreams. The hunger

from the wild’s lack of you
would tremble my true heart home

under starlight’s navigation– to here,
where my whiskers graze your calves,

where I am cradled in your arms
in the company of heartbeat:

a sweetness, a tenderness
the feral could never dream of.

 

(Originally published in VAYAVYA, Spring 2016)

A Raccoon Knocked Over a Garbage Bin

The daddy longlegs cantilevers from Styrofoam
to sidewalk. Beetles, red-handed, scurry from a brown banana peel,
and as my gloved hands rake the dregs of recent days to neatly seal
in a new black bag, I think of how much we lose
in a week, or in the span of a second, some wayward glance,
a hush in a waning tide … no moon, no sun, no, merely
the space between … wrinkles slink into our faces.
I would give you wings, but you have risen,
already, high into infertile sky. And in the morning,
without sunrise, I will swear
the wings were broken, were never there, or were crushed,
in some tiny state of insignificance.

 

(originally published in Syzygy Poetry Journal, Vol. 1, No. 2)

Caesura

Every road has a finite end, just mud and sky, daytime
if you’re lucky, night looming beyond the paling horizon.

Maybe there is a barren tree, branches dancing
to a slow sonata, a love song only the two of you

know, the earth calmly listening. If you can plant
your naked feet into the ground, you will hear

the earth hum as it spins faster than you will ever
move, and though it always seems like stasis, you hope

it never stops, remains a puzzle
merely a misstep from disarray.

 

(originally featured in Common Ground Review, Vol. XVII, Issue II)

Christmas Eve, 2014

the living room drones and mumbles.
the bone dove sings a petrified song

above the tree, nearly silent enough
to believe a resurrection could occur

in the coming days. pass the stocking
with the kidney stone. bring

the anesthetic. we will drink–
this is the blood bond, the calm,

the thin slicing of ham: bloodless
& calm, torn red wrapping paper

strewn about the room

 

(originally published in Whale Road Review, December 2015)

Future Men

boys who would be future men 
squealed at new Pokemon.
mimicked moves, karate'd birds

flapping and winging and flinging
     OVER NINE THOUSAND!
miles per hour

and things
eight-dollar K-B Toys 
always break 

blue mega man 
onto metal bunk
bed swung 
                              CLANKCLUNK

sprints'a from kitchen, lotsa surge, 
hi-ye-ho bullet train 
                              small-scale rail

    the basement 
       digging
digging through purple bin
     TREASURE! TREASURE!

homemade pogs; on one side 
the cut-out cartoons 
from game manuals, Zero so cool
his long blonde hair, red armor
give me his sword no 
          it's mine 
          x-buster
    circular cutting 
rise to heroes controlled  
  control was so easy

yes, yes, think of life–
death in digital terms

those boys were the masters then

    the future men and their
    cold basement summers


(originally published in Suburban Diaspora)

Clinton, Ohio

Where I lived was a quiet crescendo
of snow six months of the year
& mosquito summers wearing shorts
into the sweating night

Where I lived had piano thunderstorm concertos
jolting the elderly house’s bones
with frenetic fingers, ivory paint,
red bricks

Where I lived was a lonesome walking trail
where morning chirps of blue jays went unnoticed.
Beds of acorns lined the autumn grass,
a kind of fallout for the process of aging
and the act of leaving

Always, now, in thought, it is a shoebox
of dandelions that writhe when I pet the cold cardboard–
hello, you are home, tonsils– my heart
can’t handle the hand-shaped imprints
from so far away

 

(originally published in Rubbertop Review – Volume VII, 2015)