I’ve Been on a Bender Since Becoming an Adult

in the dark of grimy
bars floral couches live

feathers (what a thrill beneath
neon green) in view of Saint

Maria’s grand brick parish
I unclasp Catholicism’s hands

from my neck (backdrop always holy
human touch) how can one believe

in anything other than getting fucked
up loving people at parties

unconditionally my friends I have
forgotten too many nights not

to complete the circle offered
under guidance of compass

and an unsteady hand
flicking the lighter

(originally published in Incessant Pipe, Winter 2021)

Checking the Mail

it’s a series of bills all this money money money
allegedly turning void in wallet into all this good
shield or beating heart or net but I’m getting your
gray hairs you pick in the mirror how they seem
to crawl from the bathroom floor & appear as the
plague on my head O corporation & government
gavel held to my sensitive nodes I sniff envelopes
which smell of corpses that may all be my own

 

(originally published in EgoPHobia, Winter 2018)

Young

I can tell you how many points LeBron scored last night
or who won the World Series,
but I can’t fix the leaking faucet in the bathroom,
won’t mow the lawn if not overgrown.

I don’t change the oil in my Ford
nor bring home a solid paycheck–
but I will live in an apartment
to avoid responsibility.

I’ll pay lots of money to tell
a landlord I can’t do it.

I’ve already lived in a car to avoid the responsibility
of telling a landlord I can’t do it.

I didn’t know how to fix it when it broke down,
and a Samaritan changed my flat tire when I burst it
when turning into a potholed Burger King lot
and I claimed I was about to fix it.

He told me not to pay more than twenty-five dollars for a used tire–
no more than twenty-five dollars, and get the rim hammered out
for free!

I went to the tire shop and paid their thirty-five to avoid conflict.
Wordlessly they stopped eastbound traffic on Pico
and I backed away and left.

One thing I can do well is parallel park,
as if reverse-navigation is worth bragging about

but I’ll take it.

No one has the courage to fit inside this small space.
No one can fit inside here but me

 

(originally published in Literary Yard, Winter 2018)

Taboo

the gorge is endless & insatiable
there is a river, then many mouths
& there is your mother
in the next room cooking soup
& there is a mother
on screen bent over stovetop
with stepson rocking back
& forth into hunger
& now spoons clank
on plate before dinner
& your privacy settings–
a closed door
& now your father
home from work
& now the stepfather
makes his daughter behave
& your sister
walks in off the bus
& now the step-sister
removes the mushroom of her skirt
taking her brother by the name
of their familiar
revelation
which is all relative
to the mold of a home
all mildew & dust
spiderweb & tangle
& turn of doorknob
to walk years
through thin hallways
of broken light
fixtures & coughs
to sit in the dining room
all together & eat
years of steaming
garlic, basil, tomato,
salt

 

(originally published in The Cerurove, Fall 2017)

Maggie

After you invited me to your brother’s jazz
concert you said you liked me too much
and I couldn’t handle that, the thought

of our togethered trombone slide into an infinity
accompanied by spacetime’s deep sound.
I avoided you the only way I knew how:

my absence for your words a dangling CO2.
This, another failed online dating experience,
a week and (it was electric for a time) the zap

of each other in a cold January condo over and
over, a thousand volts then whole note rest,
a singed week’s limb removed by blizzard wind.

 

(originally published in Postcard Poems and Prose, 2017)

Abella Danger

fungus grows on the lips
of a cordless mouse
and seeks a kiss or two
clicks to connect void
into void and absence
warps into a fray
of spit and sweat
this LED lover
covered in fingerprints
and dust here we crawl
on tousled bedsheet toward
an open window in view
of eucalyptus and jacaranda

 

(originally published in The Good Men Project, Fall 2017)

Duplex

the muffled songs
made me wonder
who played violin
on the other side

who cradled the bowstring
whose long haunting moans
whispered my name
in its dried throat
beyond the wooden wall
who itself whispered
its own ghosts
its dead fingerprints

are clamoring
to live again

 

(originally published in The Bond Street Review, Summer 2017)

Mia Khalifa

Life imitates art in the way
memory imitates life– your face

reminds me of my last swollen
laughter held. Sometimes

there is no comparison– oh, we’ll rise
from geysers with sulphur still

in our fabrics– loose, blue threads
hanging at the maw.

We disassociate and wish
to converge into stars on a single strand

of light–
I remember that copper smell

of a new roll of pennies,
when fifty cents meant more than

being half of something
not quantifiable at all.

 

(originally published in Pouch, Issue #6)