Franklin Avenue in 2015

Two years ago, we would drink tall beers
hidden in black, plastic bags ’til we passed
from laughter, fluttered to fill
our glasses with more.

There would have been more pages
to turn, but none of us spoke our
human language anymore.

Now, a browned frond slumps
between parked cars.

Two teenagers flirt
underneath a palm. Whispered leaves
are fragile– each movement
a link to the next
until it is not.

Their laughs reverberate
when they, too, part. Uncork
those swan bottles–
let them go, graceful
into night.

 

(Originally published in The City Key, Spring 2016)

Skeletons of New Year’s Eve

I do not perceive you as obsessed with death
even if, days before, our jovial talks of dying

led to sugar-frosted blue wondering at the sky.
We planned to pop champagne for the birth

of feeling alive: winter hardens soil so we must dig
to the laughter we share in our spines.

We did not drink white wine, but the beer was breath
without knowing the scent– like any year,

we were paintings of light and dark, of limb
and bone so disordered to stand is a triumph,

and hope is a kaleidoscope, a conjecture.
Each dying wave returns, even at the frayed edge

of memory, how the dead are lavish with flowers
and stories. Still, we press on to uncork

our champagne future: drafts of breath in each
new year, dead waves haunting the mortal tide

with no specific beginning, no obvious end.

 

(originally published in Liquid Imagination, Summer 2016)

The Kansas City Royals Cope With Loss

A river isn’t really blue. The Mississippi
has dried, and even love is transparent.

We adorn ourselves blue so loss
can be quantified in color. Such

is the brittle paintbrush, naked
and grieving, but we are not

the color of grieving,
nor tobacco spat in the dugout

in shame. We remember
the dirt, and who we loved,

long before we searched
clouds’ faces for ghosts,

her grays in the white
within eternal blue.

 

(originally published in ‘the vacant hinge of a song’, courtesy of Origami Poems Project)