2026

Poems:

“Fox” (Mangrove Review)
“Melt Bar and Grilled: A Personal Eulogy” (INSTANT NOODLES)
“OK Google, Is It OK to Cry After LASIK?” (Piker Press)
“On the Way to Brunch in Troy Hill” (Bond Street Review)
“Oreo O’s” (Bond Street Review)
“Returning Home to Pittsburgh” (Piker Press)
“Roma” (Pinhole Poetry)

2025

Poems:

“A Morning at The Abbey on Butler Street” (Down in the Dirt)
“A Sale on eBay! A Newer Roomba!” (The Indianapolis Review)
“Acceptance” (RUNDELANIA)
“After Five Dates” (The Word’s Faire)
“After Graduating from Catholic School” (Thirteen Myna Birds)
“After Thanksgiving” (All Your Poems) 
“After-Work Imperative” (The Word’s Faire)
“Amalfi” (The Broken City)
“Anonymity” (Cantos)
“At Gooski’s” (Vroom Lit Magazine)
“At Jozsa Corner” (Ink Pantry)
“At the End of a Brief St. Petersburg Trip” (Same Faces Collective)
“Avoidance” (The Pierian)
“Bar Games” (The Orange Rose)
“Birthday” (Poetry Hall)
“Burial Mound” (drip)
“Cape May” (Volume Poetry)
“Chick-Fil-A” (Ink Pantry)
“Clarity” (Thirteen Myna Birds)
“Cleaning Out Your Fridge” (cataloguing poetry)
“Coffee Run” (Academy of the Heart and Mind)
“Communication” (WIREWORM Magazine)
“Cumulonimbus” (Nobody Thoughts)
“Designer’s Barn” (Coin-Operated Press Zine)
“Disposal” (Northern Appalachia Review)
“Does Freezing Salmon Before Cooking It Eliminate Parasites?” (Discretionary Love)
“Dream (at Nineteen)” (miniMAG)
“Drymouth” (As It Ought To Be)
“Elevenplex” (drip) 
“Everything As It Is” (Dandelion Scribes)
“every time the door”(Books ‘N’ Pieces Magazine)
“Firenze” (The Round) 
“Fish Cakes” (ITERANT)
“For Chris” (Cantos)
“Free Boba Tea” (Roi Fainéant)
“Fresh Pages” (The Wise Owl)
“Froggy’s Fridays” (The Word’s Faire)
“Goodminton” (RUNDELANIA)
“Grieving the Country Itself” (miniMAG)
“Hannah’s Hanukkah Party” (Mad Swirl)
“Headfirst” (Packingtown Review)
“Hello, My Name Is” (Fast Pop Lit)
“Hermes the Messenger Dog” (SORTES Magazine)
“Holiday Politics” (Delta Poetry Review)
“Humphreys Street” (Dandelion Scribes)
“I have been drowning in work” (The /temz/ Review)
“In Line” (Ink Pantry) 
“In the Office (Late Night Friday)” (BlazeVOX)
“Interview Season” (Poetry Pacific)
“Irritant” (OPEN: journal of arts & letters)
“it’s happening new species of birds” (Caveat Lector)
“It’s Interactive!” (Piker Press)
“Kept Change” (Alabama Literary Review) 
“Kiwifruit” (Common House Mag)
“LASIK” (Dandelion Scribes)
“Lead Pipe Replacement Project” (Stick Figure Poetry Quarterly)
“Lunch Date (Rare)” (All Your Poems)
“Making Jokes About Your Father” (Literary Forest)
“Mid-Spring” (The Odd Magazine)
“Mono No Aware” (Stirring: A Literary Collection)
“Mouton” (Platform Review)
“Moving In (To the New Life)” (Paratextos)
“No Matter How We Love” (Sybil Journal)
“No One Out-Pizzas the Heart” (The /temz/ Review)
“Nonlinear” (Modern Literature)
“Opening” (Cacti Fur)
“Our Distance” (Cacti Fur)
“Overthinking It, All of It, Even This” (Cacti Fur)
“Ozark” (Skipjack Review)
“Pangs” (BlazeVOX)
“Poem That Begins with Unfinished Business” (The Word’s Faire)
“Potential / Kinetic” (Books ‘N’ Pieces Magazine)
“Preservation” (The Creekside Magazine)
“Proximity” (The Round)
“Red Lobster Declares Bankruptcy” (Winged Penny Review)
“Rialto Street” (miniMAG) 
“Rolling Acres Mall” (Modern Literature)
“Roomba” (The Broadkill Review)
“Ross” (Alabama Literary Review)
“Salt Lake City” (Writer’s Block Magazine)
“Sanitation Rag” (Disturb the Universe)
“Say It” (Triggerfish Critical Review)
“Shortcuts” (Tennessee Voices Magazine)
“Sinking” (The Orange Rose) 
“Sistine Chapel” (WIREWORM Magazine)
“Slop Sink” (RUNDELANIA)
“Special Effects Explosion Test” (All Your Poems)
“Stand” (Ink Pantry)
“Stress” (All Your Poems)
“Stressful Music” (Disturb the Universe)
“Strip District” (Ink Pantry) 
“Summer, Fall” (Triggerfish Critical Review)
“Summer (Wilting)” (Cacti Fur)
“Summer to Spring” (Chronogram)
“Super Bowl, 2025” (Fast Pop Lit)
“Support System” (Piker Press)
“Tectonics” (Sybil Journal)
“Texting/Driving” (Skipjack Review)
“The Bad Wendy’s” (Nobody Thoughts)
“The Billionaires” (Dandelion Scribes)
“The God Between Us” (RUNDELANIA)
“The Mass Marketing Email Says We Will Miss You After I Smash That Unsubscribe Link” (Stirring: A Literary Collection)
“The Nose Hair” (Agapanthus Collective)
“The Objects Persist” (Abandoned Mine Journal)
“The Process” (The Broken City)
“The Real Zodiac Killer” (OPEN: journal of arts & letters) 
“The Way Out” (Dandelion Scribes)
“The Well” (Willow Review)
“the world burns we work” (Deep South Magazine)
“The Work of Extras” (I’ll Get Right On It: Poems on Working Life in the Climate Crisis)
“There must be a road to this” (Vroom Lit Magazine)
“Though You May Not Believe in Evolution, Our Relationship Is Evolving As It Should” (Call Me [Brackets])
“TikTok” (Corvus Review)
“Tiny Needles” (SORTES Magazine)
“To Kermit (From DQ)” (Piker Press)
“To Kingsford (From DQ)” (Sybil Journal)
“Tornado” (Moss Trill)
“True Solace (by Linden Hollow)” (Major 7th)
“trying to impress you” (Modern Literature)
“Via Vittorio Emanuele” (Uppagus)
“Waiting for Summer, 2021” (Books ‘N’ Pieces Magazine)
“Waiting Room” (The Beatnik Review)
“We Exist in the Context of All That Came Before Us” (miniMAG)
“Wedding on the Street of My Childhood” (Jimson Weed)
“What Will We Do with What Dad Kept?” (International Poetry Review)
“While America Watches Game of Thrones“ (Packingtown Review)
“Whims” (CultureCult “POWERLESS” Anthology)
“Whole Foods” (Raw Dog Press)
“Within Reach” (BlazeVOX) 
“You Are a Great Singer; I Am Too” (Wild Willow Review)
“You Were a Vapor”(Call Me [Brackets]) 
“Young Galaxy” (Cantos)

2024

Poems:

“?” (Modern Literature)
“18,000 Cows” (Winamop)
“2012” (Toasted Cheese Literary Magazine)
“3:30 AM” (OPEN: A Journal of Arts & Letters)
“77 / Hallway” (Poetry Super Highway)
“A Blizzard After Voice Class, 2011” (Backwards Trajectory)
“A Brief New York Visit” (children, churches, & daddies)
“A Deep Exhaustion” (Pirene’s Fountain) 
“A Dog Barks Without Purpose” (impspired) 
“A Heron Jesus”(Avalon Literary Review)
“A Soft Fog” (Pandemonium Journal)
“A Tornado Rips Past My Mother’s House” (monologging)
“A Walk in America After His Overdose” (Tipton Poetry Journal) 
“Actor-Dreamers” (Rind: An Online Magazine)
“After Losing Kingsford” (Marrow Magazine)
“After-Party” (Books ‘N Pieces Magazine)
“After the Breakup, We Are Roommates” (Trigger Warning Magazine)
“Alexandria” (BlazeVox)
“An Unending Thing” (Unlikely Stories Mark V)
“Allergy Season During Quarantine, 2020” (The Medley)
“An Apology from DQ” (The Medley)
“at ineffable cà phê” (The Courtship of Winds)
“August 29, 2020” (YAWP Magazine)
“Awkwardness Is a Two-Way Street” (Cacti Fur)
“Barn Wedding” (100subtexts Magazine)
“Bless You! I Don’t Know Where It Came From” (Piker Press)
“Bottle” (Rundelania)
“Buzzfeed” (ONE ART: a journal of poetry)
“Cabernet” (Paris Lit Up Gazette)
“Cartography” (Panoplyzine)
“Casino” (Fast Pop Lit)
“CBUS=>PIT” (Ariel Chart)
“Chaos (Convention)” (Soup Can Magazine)
“Chipped” (The Kolkata Arts Blog)
“City Sadness” (Haight-Ashbury Literary Journal)
“Closure” (OPEN: A Journal of Arts & Letters)
“Collateral Damage” (Piker Press)
“Columbus / Portland” (Cacti Fur)
“Continents” (The Post Grad Journal)
“Copley Place” (Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo)
“Dating Someone Who Has the Same Surname” (Setu) 
“Development” (In Parenthesis)
“Documents” (The Kolkata Arts Blog)
“Do-Over” (Winamop)
“Experimental Percussion Concert” (Yellow Mama Magazine) 
“Eye to Eye”(impspired)
“Fantasy (Football King)” (AvantAppal(acia))
“Final Cut” (Modern Literature)
“Fireball” (Illuminations)
“First Frost” (Rundelania)
“first porch hang with plague” (BlazeVOX)
“Floods & Fires” (As It Ought To Be)
“Forgetfulness” (AvantAppal(acia))
“For Ron Monstera” (OPEN: A Journal of Arts & Letters)
“Foundation” (The Piker Press)
“Friday Evening Preceding the Election, 2020” (Setu)
“Full Glass of Water” (BlazeVox)
“Full Moon & Shooting Stars” (Ariel Chart)
“Gaia BH1” (ActiveMuse)
“Ghosts of Steelworkers” (Poetry Hall)
“Goodale Geese” (NōD Magazine)
“Grass the Same in Every State” (100subtexts Magazine)
“Grieving” (Winamop)
“Had a Reading That Night” (Boats Against the Current)
“Hannah’s Birthday, 2021” (Bindweed Magazine)
“Headspread” (Modern Literature)
“High Noon” (Triggerfish Critical Review)
“Hives” (Chewers & Masticadores)
“Holiday Socks” (Gastropoda Lit Mag)
“Home” (Roi Fainéant)
“House-Hunting in the New Year” (Truth, Beauty, & Imagination)
“How-To” (Sunhous Review)
“Humidity” (Northwest Indiana Literary Journal)
“I Used to Dream I’d Get So High” (Artvilla)
“If California’s the Dream, Keep Dreaming” (Sunhous Review)
“I’ll Eat the Moon If I Must” (Books ‘N Pieces Magazine)
“Illusion” (Time of Singing)
“Imbalance” (The New Croton Review)
“In Kazimierz I Chased a Pigeon” (The Kolkata Arts Blog)
“In the Margins of the Day” (Bindweed Magazine)
“Interaction” (Penmen Review)
“Institution” (Ariel Chart)
“Invasive Species” (The Garlic Press)
“It’s Sunny” (100subtexts Magazine)
“It’s Too Late, Baby, Now It’s Too Late” (JONAH Magazine)
“Jar” (Ariel Chart)
“Jesse and Andrew” (Ink Pantry)
“K-12” (Jasper’s Folly Poetry Journal)
“Karaoke Night” (The Wise Owl)
“King of Weird” (The Piker Press)
“Kingdom” (Trigger Warning Magazine) 
“Liminal Minimal Animal” (The Round)
“Losing My Mind” (Winamop)
“Loss” (The Stray Branch)
“Making Meaning Quarantine” (Oddball Magazine)
* “Man Shouts” (Fast Pop Lit)
“May, 2020” (CERASUS Mag)
“Mega Man 6 During Omicron” (The Vineyard)
“Mitchell Ponds Inne” (Red Tree Review)
“Narcissus” (Piker Press)
“Never Alone” (Pennsylvania Bards Western Pennsylvania Poetry Anthology)
“New Year’s Eve, 2021” (Stickman Review)
“No One Asked” (Toasted Cheese Literary Magazine)
“Northbound on I-279 in November” (Orenaug Mountain Poetry Journal) 
“November, 2016” (BlazeVox)
“Novo Asian Food Hall” (100subtexts Magazine)
“Observation (October 29, 2022)” (Pictura Journal)
“Office Sun” (The Vineyard)
“old jeans upside down” (Setu)
“On a Dark Street” (The Kolkata Arts Blog)
“Our Ritual” (The Gorko Gazette)
“Out of Sight” (Ghost City Review)
“Outage” (Toasted Cheese Literary Magazine)
“Outdoor Towels” (Piker Press)
“Over” (Glint Literary Journal)
“Pail” (ActiveMuse)
“Paper Plates” (The River)
“Pink Measuring Tape” (Books ‘N Pieces Magazine)
“Playing Fall Guys During Quarantine / Ignorance Re: Biology” (Moss Trill)
“Pond Bugs” (The Post Grad Journal)
“Puppy” (Pandemonium Journal)
“Rain Delay”(The Seraphic Review)
“Ratskeller” (Poetry Super Highway)
“Rectangular Rainbow” (I-70 Review) 
“Relief” (Chewers & Masticadores)
“Resort” (Artvilla)
“Rival” (Orenaug Mountain Poetry Journal)
“Rochester” (Roi Fainéant)
“Rock Climbers”(Unlikely Stories Mark V)
“Saturday at the Office in February” (AvantAppal(acia))
“Scalloped Potatoes” (The Gorko Gazette)
“Seeking Gloves in Maryland” (Winamop) 
“Seemingly Unlimited” (Poetica) 
“September 12, 2022”(Northwest Indiana Literary Journal)
“Serpent”(The Beatnik Cowboy)
“She Wrote Me a Poem” (monologging)
“Short North Coffee House” (The Stray Branch)
“Sine” (Pirene’s Fountain)
“Sleep” (Poetry Super Highway)
“Sofa” (Modern Literature)
“Soundtrack to Living in My Car” (JONAH Magazine)
“Spring Cleaning” (OPEN: A Journal of Arts & Letters)
“Spring Cleaning, Day Thirty (Quarantine)” (Marrow Magazine)
“Stage Day w/ Looming Strike” (Rundelania)
“Summer Depression” (Rundelania)
“Sweetheart” (Setu)
“Taking It Slowly” (Stickman Review) 
“Tamales at Andrea’s” (Triggerfish Critical Review)
“Taste” (The Round)
“Temps” (Sunhous Review)
“Thanksgiving, 2021” (100subtexts Magazine)
“The Battle” (100subtexts Magazine)
“The Destination” (The Gorko Gazette)
“The Doubt That Follows Improv Class” (Yellow Mama Magazine)
“‘The Injury'” (Rundelania)
“The Lost Year” (The Waxed Lemon)
“The Moon Is Slowly Drifting Away” (The Pinnacle)
“The Music Around You” (impspired)
“The National Center for Anti-Corporate Activism” (Trigger Warning Magazine)
“The Not-Quite Blankness” (Ink Pantry)
“The Search” (The Beatnik Cowboy)
* “The Shrubs of Doubt Were Misplaced” (Ariel Chart)
“The Sims 4” (Poetry Hall)
“The Slog” (The Stray Branch)
“The Universe of Body” (BlazeVox)
“The Unknown” (The Kolkata Arts Blog)
“The Unmaking” (North of Oxford)
“The View”(yawp Magazine)
** “The Weight of Feathers” (Rise Up Review)
“This House Withstood” (Agapanthus Collective)
“To Fool Ourselves into Acting” (The Piker Press)
“To Forget Only This” (Time of Singing)
“To the Person Who Says AI Is Like a Garden” (The Wise Owl)
“Tourists” (JONAH Magazine)
“Tree Game” (Spinozablue)
“Tunnel” (100subtexts Magazine)
“twelve-hour daze” (Ink Pantry)
“Two Frays on a Saturday in April” (CERASUS Mag)
“Under the Sink” (Poetry Super Highway)
“Vacuum Bag” (Stickman Review)
“Victorian Village Visit” (Modern Literature)
“Walking on Pearl Street” (Orenaug Mountain Poetry Journal)
“Warm Spam” (OPEN: A Journal of Arts & Letters)
“We Grow Apart, We Change” (Lamplit Underground)
“We Leave the House for” (Little Patuxent Review)
“Wee-Hour Woes” (Urtica Lit)
“What Comes Next” (The Vineyard)
“When I Grow Up, I Want to Be an Astronaut” (The Broadkill Review)
“when the boss gives you $20” (100subtexts Magazine)
“When You Went to Sleep It Was Fine” (Yellow Mama Magazine)
“where vines stop thriving” (The Racket)
“Whims” (CultureCult Powerless Anthology)
“Window” (100subtexts Magazine)
“Wrap Party at Arsenal Bowl” (Artvilla)
“You Are Bad at Singing, I’m Not” (Abandoned Mine) 
“You Confuse AI for God” (North of Oxford)
“You Could Have Been Anything and Still You Chose Dust” (PearTree Press)

*Nominated for Best of the Net Anthology
**Nominated for Pushcart Prize