2023
Poems:
“#1” (Beltway Poetry Quarterly)
“…Is a Memory” (White Stag SPIRIT Anthology)
“101” (Rollick Magazine)
“7.7” (San Antonio Review)
“A Sustained Sound of Longing” (Poetry Salzburg)
“After the Zoo” (Academy of the Heart and Mind)
“Aging / Dying” (WordCity)
“Alive” (SAND)
“all my art” (Alternate Route)
“A Poetry of Place” (Vilas Avenue)
“A Red Container” (Academy of the Heart and Mind)
“After Millvale Music Festival, 2021)” (Statement Magazine)
“An Ontological Argument for Necessary Being” (A Thin Slice of Anxiety)
“Another Round for Entropy” (A Thin Slice of Anxiety)
“Beer Pong in Your Basement” (The Seventh Quarry)
“Bro” (Alternate Route)
“Brothers” (White Wall Review)
“By the Power Vested in Me by the State of Sadness” (Chronogram)
“Cannon Town”(Academy of the Heart and Mind)
“Celestial Egg” (Academy of the Heart and Mind)
“Chain” (Stick Figure Poetry Quarterly)
“Chicken Imitations” (Vagabond City Lit)
“Commonplace Coffee on a Sunday in July, 2021” (San Antonio Review)
“December 12, 2017” (The Seventh Quarry)
“Décor” (Statement Magazine)
“Deviled Eggs” (SPANK the CARP)
“Elegy” (DoubleSpeak Magazine)
“Exhaustion” (Review Americana)
“Flame Season” (Smoky Blue Literary and Arts Magazine)
“For Exercise and Variety”(Academy of the Heart and Mind)
“Forest Song” (ARZONO 2023 Annual)
“Forgotten Beach” (Bruiser Mag)
“Framework” (Bindweed Magazine)
“FWIW” (The Waiting Room)
“Gold Hole” (Bindweed Magazine)
“Google Home Quarantine” (Winamop)
“Google You” (Winamop)
“Grade School Cafeteria” (The Scop Magazine)
“Graph” (Sweet Tree Review)
“Having Won a Two-Day Trip to Hawaii” (Winamop)
“Hide and Seek”(Academy of the Heart and Mind)
“House of Mirrors” (Flush Left)
“I Want You to Think of Me All the Time“ (Tower Poetry Society)
“I Wait for the Gate to Open After Work, and Cicadas Sing All the While” (STIRRING)
“I was going to throw away the water”(Unlikely Stories Mark V)
“In Lieu of Help, Send Flowers” (Academy of the Heart and Mind)
“Infinity Reservoir” (WordCity)
“Insignificance” (Toasted Cheese Literary Journal)
“Lance-Esque” (Alternate Route)
“Leaving Work” (Statement Magazine)
“Mechanics of Mundane Things” (The Stray Branch)
“Michael & Marilyn” (Abandoned Mine Journal)
“missing home” (Winamop)
“My Dejected Catholic Upbringing” (Cacti Fur)
“Now That You Are Engaged” (Sweet Tree Review)
“On Earth, We Travel a Thousand Miles Every Hour” (The Vineyard)
“Poppy” (As It Ought To Be Magazine)
“Precarious” (WordCity)
“Production Dinner, 2022” (bluepepper)
“Promise of Morning” (Winamop)
“Purple Paint” (Academy of the Heart and Mind)
“Puzzle Deep” (Divot)
“Rainwater Is Now Undrinkable” (A Thin Slice of Anxiety)
“Rabbit” (The Beatnik Cowboy)
“Reruns”(San Antonio Review)
“Silicon Valley (Season One, Episode Eight)” (Statement Magazine)
“So Frigid, Even Light Posts Are Shivering” (The Sunlight Press)
“Summer Sputter” (Backwards Trajectory)
“Take It Easy” (A Thin Slice of Anxiety)
“Temporary” (Academy of the Heart and Mind)
“Tether” (Poetry Salzburg)
“The Bird an Echo”(Unlikely Stories Mark V)
“The Curtain” (White Stag SPIRIT Anthology)
“The End” (Delta Poetry Review)
“The Percussive Life” (Eunoia Review)
“The Sword of Light” (Bindweed Magazine)
“The Wash” (Poor Yorick)
“The Wedding Poem” (Academy of the Heart and Mind)
“There Is a Wall” (The Seventh Quarry)
“They Ask What You Are” (children, churches, & daddies)
“This American Factory” (The Wise Owl)
“To Kailee (From Irie)” (Backchannels)
“To Sara (From Kermit)” (Unlikely Stories Mark V)
“Tournament of Bachelors” (The Waiting Room)
“Trust” (DoubleSpeak Magazine)
“Tuesday Introvert” (The Wise Owl)
“Twix” (PPP Ezine)
“Two Best Friends” (Pennsylvania Bards Western PA Poetry Review 2023)
“Waiting on Mr. Woodpecker” (Bruiser Mag)
“When People Say You Grow More Conservative With Age” (Writer’s Block Magazine)
“Video Games on New Year’s Day” (A Thin Slice of Anxiety)
“Years Later I Crave Loneliness” (Writer’s Block Magazine)
“You Ask What Home Means to Me” (Bindweed Magazine)
“You’ll Know Me Always by the Red Door” (Words & Whispers)
“Your Offer” (Taj Mahal Review)
2022
Chapbook:
“Count Seeds With Me” (Ethel, April 2022)
Poems:
“2008 Fragment (College)” (*82 Review)
“A Cockatrice Couple” (*82 Review)
“A Courtship Beyond My Reckoning” (Evening Street Review)
“A Year” (Nauseated Drive)
“After a Date at the Culver Hotel Bar” (Neuro Logical)
“After the Election, 2020” (Los Angeles Review of Los Angeles)
“Anytown, USA” (Moss Trill)
“April 14, 2008” (Literary Forest)
“Artifact” (Perceptions)
“Barge” (Maryland Literary Review)
“Beach House Concert: 2012/2022” (Stickman Review)
“Blue Bridge” (indicia)
“Breathless Electric Silence” (indicia)
“Catcall / Catastrophe” (G*MOB)
“Carl Reiner Photoshoot” (Open: A Journal of Arts and Letters)
“Christmas, 2017” (OVERHEARD)
“Colorado Hammock” (The Racket)
“Columbus Crew SC” (G*MOB)
“Conflict” (Ink Pantry)
“Continents” (The Pangolin Review)
“Cookie Cake” (Squawk Back)
“Cover” (Ink Pantry)
“Death Is Not Real Until You View the Body” (The Headlight Review)
“Deer” (Thirteen Myna Birds)
“Dental Care” (Ink Pantry)
“Depression in February” (OVERHEARD)
“Distraction” (In Parentheses)
“End of Week Two (Happiest Season, 1/31/20)” (Nauseated Drive)
“Endless Imagination” (OpenDoor Magazine)
“Endless Twine, So to Speak” (Ink Pantry)
“Fall Guys” (One)
“Findley Lake” (Roi Faneant)
“Flu, 2017” (North Dakota Quarterly)
“Force Field” (Perceptions)
“Frailty and Fervor” (HAD)
“Halloween, 2019” (Sparks of Calliope)
“Hamburglar” (HAD)
“Hard to Think Around the Thing” (Ink Pantry)
“Hog” (HAD)
“I Bought Overpriced Binoculars at an Estate Sale” (Stickman Review)
“I Convince My Mom to Write” (Hello America Stereo Cassette)
“Indebted to Entanglement” (MONO.)
“Khruangbin Concert, 2022” (Roi Faneant)
“Kodak” (Nauseated Drive)
“Late for Work” (Monologging)
“Late-Stage Capitalism” (Los Angeles Review of Los Angeles)
“leafblower” (In Parentheses)
“Little Cartoon” (Jersey Devil Press)
“Lonely” (G*MOB)
“Lost” (Pomona Valley Review)
“Low Note” (Perceptions)
“March” (Fine Lines)
“Mid-Ohio” (OVERHEARD)
“Mockery” (Mason Street)
“Most of What I Say” (Hiram Poetry Review)
“My Mind’s Forbidden Animals” (Roi Faneant)
“O” (Rabid Oak)
“OK Google” (Spinozablue)
“Olentangy River Road” (Corvus Review)
“On Sassafras the KEPT ONES” (Spinozablue)
“Outside a Ralphs in San Diego” (Scapegoat Review)
“Photonics” (The New England Monthly Poetry Digest)
“Precedent” (mutiny! magazine)
“Quarantine (March 17, 2020)” (HAD)
“Sap-Stuck” (*82 Review)
“Serious” (Mad Swirl)
“Sixty-Hour Workweek” (Rabid Oak)
“Sometimes” (Gingerbread Ritual Literary Journal)
“Sometimes I Float Through Suburbs” (G*MOB)
“The Basement” (Hello America Stereo Cassette)
“The Future Will Have No Sympathy for Our Undoing” (Evening Street Review)
“The Increase Between Two Distances” (LEVITATE)
“The Parking Garage Beneath Westside Pavilion” (Train: a poetry journal)
“Trying to Make Friends After Improv Class” (Stickman Review)
“Two Weeks” (Gingerbread Ritual Literary Journal)
“Weathered, We Return to Columbus” (Monologging)
“We Live With Animals” (Raw Dog Press)
“What Else” (The Spotlong Review)
“Where We Are Going” (Kalopsia)
“Wildwood” (Stink Eye Magazine)
“Write Everything” (Spinozablue)
“Yellow Poncho” (Northwest Indiana Literary Journal)
“Your Control” (SLANT)
2021
Chapbook:
“Our Past Leaves” (August 2021, Kelsay Books)
Poems:
“2.16” (Ariel Chart)
“2020” (Flashes)
“28th Street Bridge” (where is the river)
“32nd Birthday (Quarantine)” (Windows Facing Windows Review)
“A Forest” (Sybil Poetry Journal)
“A Morning in Knox, PA – September, 2020” (Ginosko Literary Journal)
“A Statement on Religion” (Penmen Review)
“Acre” (The Subnivean)
“After” (EgoPHobia)
“After I See Your Post About Visiting L.A.” (Cacti Fur)
“Airplane of Ember Leaves” (Ariel Chart)
“Anachronism / Angiosperm” (Ginosko Literary Journal)
“Annie, to Say the Ocean Hasn’t Changed You–” (The Broken City)
“Apex” (Beatnik Cowboy)
“April 6, 2020” (Ginosko Literary Journal)
“August 10, 2012” (EgoPHobia)
“Bananagrams” (Freshwater Literary Journal)
“Before Coronavirus” (Ginosko Literary Journal)
“Blurry” (The Writing Disorder)
“Body” (Agony Opera)
“Boneless / Bells” (Scarlet Leaf Review)
“Broken A/C” (Erothanatos)
“Buildings in the Distance” (Ygdrasil)
“Cafe Bourbon Street” (The Dillydoun Review)
“Calendar Year” (Ink Sac)
“Capstone” (KGB Bar Lit)
“Carcass” (Willows Wept Review)
“Career” (Academy of the Heart and Mind)
“Chasing Shadows” (Ginosko Literary Journal)
“Cleaning a Room Is a Tornado of Cords” (Marías at Sampaguitas)
“Clearing My Throat Before the Water” (Marías at Sampaguitas)
“Countdown” (BOMBFIRE)
“Courier” (Uppagus)
“Cracked Windshield” (Kingdoms in the Wild)
“Cyclicality” (Communicators League)
“Day 14 of 21 (Block A)” (The Broadkill Review)
“December, 2020” (Dodging the Rain)
“Defund the Police” (BREATHE)
“Delivery” (Freshwater)
“Descendant of the Big Bang” (The Subnivean)
“Din” (The Subnivean)
“Disc Golf” (Penmen Review)
“Dreaming of New Orleans” (Flights)
“Drowning in a Small Bowl” (Eunoia Review)
“Dust” (Amarillo Bay)
“Early Twenties” (Dreich Magazine)
“Eiffel 65” (Ginosko Literary Journal)
“Entropy at Highland Square” (Marías at Sampaguitas)
“Eyes (Mine)” (Hello America Stereo Cassette)
“Fall Guys” (TRIBES Online)
“Falling Rock” (Bond Street Review)
“Fashion” (Gingerbread Ritual Literary Review)
“Filling” (Erothanatos)
“Finding a Game Token in My Change Jar” (Dear Reader)
“Finger” (EgoPHobia)
“For Once I’d Like to Hear You Over My Brain” (Academy of the Heart and Mind)
“For M.P.N.” (Academy of the Heart and Mind)
“For You the Invading Weeds” (Ginosko Literary Journal)
“Foreheads” (impspired)
“Gaze Down Not Eyes” (The Subnivean)
“Gelato” (Dreich Magazine)
“Going to a Concert” (Constellations)
“Gummies” (The Writing Disorder)
“House of Miracles” (Home Planet News Online)
“House-Sitting in Los Angeles, 2015” (Agony Opera)
“I Always Avoided Landscaping” (San Diego Poetry Annual)
“I am in my blue childhood” (Dear Reader)
“I have been having nightmares of a police state” (Flowersong Press)
“I worked too much this week” (Sybil Poetry Journal)
“In Another Life I am Content Enough” (Flights)
“In bed my feet touching your leg” (Ariel Chart)
“Inevitable Change” (Bindweed Magazine)
“Indie Film Production” (where is the river)
“It’s 9:45 I’m Happy to Be Alive” (impspired)
“I’ve Been on a Bender Since Becoming an Adult” (Incessant Pipe)
“Leak” (White Wall Review)
“Litter Box” (Dreich Magazine)
“Local Chatty Drunkard” (Erothanatos)
“Low-Visibility Night Drive Home” (Fine Lines)
“Marina & the Diamonds” (Ygdrasil)
“Melted Plastic” (CERASUS)
“Memory Outshines the Moment” (Erothanatos)
“Mercury in Retrograde” (Abandon Journal)
“Milgate Mornings” (Erothanatos)
“Mist” (datura)
“Mornings and Insects” (Studio1)
“Multimodality” (Ginosko Literary Journal)
“My Barber Says Hello in Public” (Miranda House’s Philosophy Magazine)
“My Privilege” (Flowersong Press)
“Nadir” (Magnolia Review)
“Napkin Poem #2” (Ygdrasil)
“Near-Collisions” (The Writing Disorder)
“Nearly December & You Have Moved” (Home Planet News Online)
“Nest” (Capsule Stories – Second Isolation Anthology)
“New Year” (Black Moon Magazine)
“New Year’s Eve, 2020” (Ginosko Literary Journal)
“Noodles” (Gingerbread Ritual Literary Review)
“Now That It Is Safe to Go Outside” (Chronogram)
“Now That the End Is in Sight” (Capsule Stories – Second Isolation Edition)
“Ode to Gargoyles” (Artvilla)
“Old Journals” (Thirteen Myna Birds)
“Overtime” (Bluepepper)
“Party on the Precipice of Change” (Flights)
“PGH / Capitalism / Aimless” (Thin Air Online)
“Phases of Education” (White Wall Review)
“Plot” (Avatar Review)
“Poetry Publications” (Dreich Magazine)
“Pre-Alcoholic” (Red Rover Magazine)
“Proofreading” (Penmen Review)
“Protest Beginning in Friendship Park (Pittsburgh, June 5, 2020)” (BREATHE)
“Rarely Drive These Days” (Viral Imaginations: COVID-19)
“Reasons to Leave” (Avatar Review)
“Red String” (Agony Opera)
“Same As It Ever Was” (The Drunken Llama)
“Saying Hello at Kafe Kerouac” (Erothanatos)
“Scattered Branches” (Agony Opera)
“Semi” (Adelaide Literary Journal Anthology)
“September 22, 2020” (Academy of the Heart and Mind)
“September Pool Rental” (where is the river)
“Shirtless in Goodale Park” (Poetry Super Highway)
“Shoppers” (Communicators League)
“Sketches of Buildings” (where is the river)
“Space Puzzle” (Home Planet News Online)
“Spies” (White Wall Review)
“Sports Car” (Scarlet Leaf Review)
“Spring, 2020” (Marías at Sampaguitas)
“St. Patrick’s Day, 2017” (Scarlet Leaf Review)
“St. Patrick’s Day, 2019” (Erothanatos)
“St. Petersburg, 2015” (Poetry Super Highway)
“Stairs Into the Basement” (Avalon Literary Review)
“Starbucks” (The Daily Drunk)
“Still Quarantined” (Dreich Magazine)
“Stock-Tank Pool” (Erothanatos)
* “Stomach-Something” (Agapanthus)
“Sugar Makes You Sad” (Agony Opera)
“Take the City, Too” (BOMBFIRE)
“Talking Stand-Up Comedy in Pittsburgh” (The Big Windows Review)
“Tetris” (Sybil Poetry Journal)
“Thanksgiving, 2019” (Pandemonium Journal)
“The Bomb” (impspired)
“The Current” (CERASUS)
“The Days Are Bored With My Language” (datura)
“The Exterminator” (children, churches, & daddies)
“The Movies” (Ginosko Literary Journal)
“The Old City” (EAP)
“The Photographs of Layzerus” (EgoPHobia)
“The Rotation of Bicycle Wheels” (Scarlet Leaf Review)
“The Solipsists” (The Subnivean)
“The Spectacle of the Oscars” (Whistling Shade)
“The Weeds Went Wild With You Gone” (Home Planet News Online)
“Then I Hear Me” (Hello America Stereo Cassette)
“Think Positive Thoughts at Plants” (CommuterLit)
“This House She Won’t Want” (CERASUS)
“This Morning” (Studio1)
“This Old Table Means So Much to You” (Bindweed Magazine)
“Thlok” (The Disappointed Housewife)
“Three Rivers Studios” (EgoPHobia)
“To Billy (From Irie)” (Communicators League)
“To Those Who Say High School Is the Best Four Years” (Fine Lines)
“Trajectory” (The Drunken Llama)
“Two Days Before Final Fantasy VII Remake, Bernie Ends His Campaign” (Marías at Sampaguitas)
“Tuesday” (Penmen Review)
“What We Can Watch” (Door Is A Jar)
“White Mulch” (TRIBES Online)
“White Noise Eucharist” (Poetry Super Highway)
“Working the Cologne Department at Macy’s, 2010” (Tipton Poetry Journal)
“you couldn’t sleep until three;” (The Broadkill Review)
“You Want Positivity? Here’s Some Positivity” (The Broadkill Review)
“Zoo / Depression” (Visceral Uterus)
*Nominated for Best of the Net Anthology