Publications (2021-2022)




2023

Poems:

“A Sustained Sound of Longing” (Poetry Salzburg)
“Beer Pong in Your Basement” (The Seventh Quarry)
“December 12, 2017” (The Seventh Quarry)
“Tether” (Poetry Salzburg)
“There Is a Wall” (The Seventh Quarry)

2022

Chapbook:

Count Seeds With Me(Ethel, April 2022)

Poems:

A Courtship Beyond My Reckoning(Evening Street Review)
“A Poetry of Place” (The Nightingale Poetry Journal)
“A Year” (Nauseated Drive)
After a Date at the Culver Hotel Bar(Neuro Logical)
“After the Election, 2020” (Los Angeles Review of Los Angeles)
“Anytown, USA” (Moss Trill)
“April 14, 2008” (Literary Forest)
“Artifact” (Perceptions)
“Barge” (Maryland Literary Review)
“Blue Bridge” (indicia)
“Breathless Electric Silence” (indicia)
“Catcall / Catastrophe” (G*MOB)
“Carl Reiner Photoshoot” (Open: A Journal of Arts and Letters)
“Christmas, 2017” (OVERHEARD)
“Colorado Hammock” (The Racket)
“Columbus Crew SC” (G*MOB)
“Conflict” (Ink Pantry)
“Continents” (The Pangolin Review)
“Cover” (Ink Pantry)
“Death Is Not Real Until You View the Body” (The Headlight Review)
“Dental Care” (Ink Pantry)
“Depression in February” (OVERHEARD)
“Distraction” (In Parentheses)
“End of Week Two (Happiest Season, 1/31/20)” (Nauseated Drive)
“Endless Imagination” (OpenDoor Magazine)
“Endless Twine, So to Speak” (Ink Pantry)
“Fall Guys” (One)
“Findley Lake” (Roi Faneant)
“Flu, 2017” (North Dakota Quarterly)
“Force Field” (Perceptions)
“Hamburglar” (HAD)
“Hard to Think Around the Thing” (Ink Pantry)
“Hog” (HAD)
“I Convince My Mom to Write” (Hello America Stereo Cassette)
“Indebted to Entanglement” (MONO.)
“Khruangbin Concert, 2022” (Roi Faneant)
“Kodak” (Nauseated Drive)
“Late for Work” (Monologging)
Late-Stage Capitalism(Los Angeles Review of Los Angeles)
“leafblower” (In Parentheses)
“Little Cartoon” (Jersey Devil Press)
“Lonely” (G*MOB)
“Lost” (Pomona Valley Review)
“Low Note” (Perceptions)
“March” (Fine Lines)
“Mid-Ohio” (OVERHEARD)
“Mockery” (Mason Street)
“Most of What I Say” (Hiram Poetry Review)
“My Mind’s Forbidden Animals” (Roi Faneant)
“O” (Rabid Oak)
“Outside a Ralphs in San Diego” (Scapegoat Review)
“Photonics” (The New England Monthly Poetry Digest)
“Precedent” (mutiny! magazine)
“Serious” (Mad Swirl)
“Sixty-Hour Workweek” (Rabid Oak)
“Sometimes” (Gingerbread Ritual Literary Journal)
“Sometimes I Float Through Suburbs” (G*MOB)
“The Basement” (Hello America Stereo Cassette)
“The Future Will Have No Sympathy for Our Undoing” (Evening Street Review)
“The Increase Between Two Distances” (LEVITATE)
“Two Weeks” (Gingerbread Ritual Literary Journal)
“Weathered, We Return to Columbus” (Monologging)
We Live With Animals(Raw Dog Press)
“Where We Are Going” (Kalopsia)
“Yellow Poncho” (Northwest Indiana Literary Journal)
“Your Control” (SLANT)


2021

Chapbook:

Our Past Leaves(August 2021, Kelsay Books)

Poems:

“2.16” (Ariel Chart)
“2020” (Flashes)
“28th Street Bridge” (where is the river)
“32nd Birthday (Quarantine)” (Windows Facing Windows Review)
“A Forest” (Sybil Poetry Journal)
“A Morning in Knox, PA – September, 2020” (Ginosko Literary Journal)
“A Statement on Religion” (Penmen Review)
“Acre” (The Subnivean)
“After” (EgoPHobia)
“After I See Your Post About Visiting L.A.” (Cacti Fur)
“Airplane of Ember Leaves” (Ariel Chart)
“Anachronism / Angiosperm” (Ginosko Literary Journal)
“Annie, to Say the Ocean Hasn’t Changed You–” (The Broken City)
“Apex” (Beatnik Cowboy)
“April 6, 2020” (Ginosko Literary Journal)
“August 10, 2012” (EgoPHobia)
“Bananagrams” (Freshwater Literary Journal)
“Before Coronavirus” (Ginosko Literary Journal)
“Blurry” (The Writing Disorder)
“Body” (Agony Opera)
“Boneless / Bells” (Scarlet Leaf Review)
Buildings in the Distance(Ygdrasil)
“Cafe Bourbon Street” (The Dillydoun Review)
“Capstone” (KGB Bar Lit)
“Carcass” (Willows Wept Review)
“Career” (Academy of the Heart and Mind)
“Chasing Shadows” (Ginosko Literary Journal)
“Cleaning a Room Is a Tornado of Cords” (Marías at Sampaguitas)
“Clearing My Throat Before the Water” (Marías at Sampaguitas)
“Countdown” (BOMBFIRE)
Courier(Uppagus)
“Cracked Windshield” (Kingdoms in the Wild)
“Cyclicality” (Communicators League)
“Day 14 of 21 (Block A)” (The Broadkill Review)
“December, 2020” (Dodging the Rain)
“Defund the Police” (BREATHE)
“Delivery” (Freshwater)
Descendant of the Big Bang(The Subnivean)
“Din” (The Subnivean)
“Disc Golf” (Penmen Review)
“Dreaming of New Orleans” (Flights)
“Drowning in a Small Bowl” (Eunoia Review)
Dust(Amarillo Bay)
“Early Twenties” (Dreich Magazine)
“Eiffel 65” (Ginosko Literary Journal)
“Entropy at Highland Square” (Marías at Sampaguitas)
“Eyes (Mine)” (Hello America Stereo Cassette)
“Fall Guys” (TRIBES Online)
“Falling Rock” (Bond Street Review)
Fashion(Gingerbread Ritual Literary Review)
“Filling” (Erothanatos)
“Finding a Game Token in My Change Jar” (Dear Reader)
“Finger” (EgoPHobia)
“For Once I’d Like to Hear You Over My Brain” (Academy of the Heart and Mind)
“For M.P.N.” (Academy of the Heart and Mind)
“For You the Invading Weeds” (Ginosko Literary Journal)
“Foreheads” (impspired)
“Gaze Down Not Eyes” (The Subnivean)
Gelato(Dreich Magazine)
“Going to a Concert” (Constellations)
“Gummies” (The Writing Disorder)
“House of Miracles” (Home Planet News Online)
“House-Sitting in Los Angeles, 2015” (Agony Opera)
“I Always Avoided Landscaping” (San Diego Poetry Annual)
I am in my blue childhood(Dear Reader)
“I have been having nightmares of a police state” (Flowersong Press)
“I worked too much this week” (Sybil Poetry Journal)
“In Another Life I am Content Enough” (Flights)
“In bed my feet touching your leg” (Ariel Chart)
Inevitable Change(Bindweed Magazine)
Indie Film Production(where is the river)
“It’s 9:45 I’m Happy to Be Alive” (impspired)
“I’ve Been on a Bender Since Becoming an Adult” (Incessant Pipe)
“Leak” (White Wall Review)
“Litter Box” (Dreich Magazine)
“Local Chatty Drunkard” (Erothanatos)
“Low-Visibility Night Drive Home” (Fine Lines)
“Marina & the Diamonds” (Ygdrasil)
“Melted Plastic” (CERASUS)
“Memory Outshines the Moment” (Erothanatos)
Mercury in Retrograde(Abandon Journal)
“Milgate Mornings” (Erothanatos)
“Mist” (datura)
“Mornings and Insects” (Studio1)
“Multimodality” (Ginosko Literary Journal)
My Barber Says Hello in Public(Miranda House’s Philosophy Magazine)
“My Privilege” (Flowersong Press)
Nadir(Magnolia Review)
“Napkin Poem #2” (Ygdrasil)
“Near-Collisions” (The Writing Disorder)
“Nearly December & You Have Moved” (Home Planet News Online)
“Nest” (Capsule Stories – Second Isolation Anthology)
New Year(Black Moon Magazine)
“New Year’s Eve, 2020” (Ginosko Literary Journal)
“Noodles” (Gingerbread Ritual Literary Review)
“Now That It Is Safe to Go Outside” (Chronogram)
Now That the End Is in Sight(Capsule Stories – Second Isolation Edition)
“Ode to Gargoyles” (Artvilla)
“Old Journals” (Thirteen Myna Birds)
“Overtime” (Bluepepper)
“Party on the Precipice of Change” (Flights)
“PGH / Capitalism / Aimless” (Thin Air Online)
“Phases of Education” (White Wall Review)
“Plot” (Avatar Review)
“Poetry Publications” (Dreich Magazine)
Pre-Alcoholic(Red Rover Magazine)
“Proofreading” (Penmen Review)
“Protest Beginning in Friendship Park (Pittsburgh, June 5, 2020)” (BREATHE)
“Rarely Drive These Days” (Viral Imaginations: COVID-19)
“Reasons to Leave” (Avatar Review)
“Red String” (Agony Opera)
Same As It Ever Was(The Drunken Llama)
“Saying Hello at Kafe Kerouac” (Erothanatos)
“Scattered Branches” (Agony Opera)
“Semi” (Adelaide Literary Journal Anthology)
“September 22, 2020” (Academy of the Heart and Mind)
“September Pool Rental” (where is the river)
“Shirtless in Goodale Park” (Poetry Super Highway)
“Shoppers” (Communicators League)
Sketches of Buildings(where is the river)
“Space Puzzle” (Home Planet News Online)
“Spies” (White Wall Review)
“Sports Car” (Scarlet Leaf Review)
“Spring, 2020” (Marías at Sampaguitas)
“St. Patrick’s Day, 2017” (Scarlet Leaf Review)
St. Patrick’s Day, 2019(Erothanatos)
“St. Petersburg, 2015” (Poetry Super Highway)
“Stairs Into the Basement” (Avalon Literary Review)
“Starbucks” (The Daily Drunk)
“Still Quarantined” (Dreich Magazine)
“Stock-Tank Pool” (Erothanatos)
* “Stomach-Something(Agapanthus)
“Sugar Makes You Sad” (Agony Opera)
Take the City, Too(BOMBFIRE)
Talking Stand-Up Comedy in Pittsburgh(The Big Windows Review)
“Tetris” (Sybil Poetry Journal)
Thanksgiving, 2019(Pandemonium Journal)
“The Bomb” (impspired)
The Current(CERASUS)
“The Days Are Bored With My Language” (datura)
“The Exterminator” (children, churches, & daddies)
The Movies(Ginosko Literary Journal)
“The Old City” (EAP)
“The Photographs of Layzerus” (EgoPHobia)
“The Rotation of Bicycle Wheels” (Scarlet Leaf Review)
The Solipsists(The Subnivean)
“The Spectacle of the Oscars” (Whistling Shade)
“The Weeds Went Wild With You Gone” (Home Planet News Online)
“Then I Hear Me” (Hello America Stereo Cassette)
“Think Positive Thoughts at Plants” (CommuterLit)
This House She Won’t Want(CERASUS)
This Morning(Studio1)
“This Old Table Means So Much to You” (Bindweed Magazine)
“Thlok” (The Disappointed Housewife)
Three Rivers Studios(EgoPHobia)
“To Billy (From Irie)” (Communicators League)
“To Those Who Say High School Is the Best Four Years” (Fine Lines)
“Trajectory” (The Drunken Llama)
“Two Days Before Final Fantasy VII Remake, Bernie Ends His Campaign” (Marías at Sampaguitas)
“Tuesday” (Penmen Review)
“What We Can Watch” (Door Is A Jar)
“White Mulch” (TRIBES Online)
“White Noise Eucharist” (Poetry Super Highway)
“Working the Cologne Department at Macy’s, 2010” (Tipton Poetry Journal)
“you couldn’t sleep until three;” (The Broadkill Review)
“You Want Positivity? Here’s Some Positivity” (The Broadkill Review)
“Zoo / Depression” (Visceral Uterus)

*Nominated for Best of the Net Anthology