Lunch Date (Rare)

Sushi at
Nakama–
ginger pink,

wasabi,
soy sauce poured
over rice.

Amateurs,
but we love
each other.

(originally published in All Your Poems, Summer 2025)

Firenze

     open shutters overlook
   bells    umbrellas      energy
I    watch all day I am
  one pedestrian watch
              as        clock hands reach
slowly       one way                  up
to us which direction              walk
the bridge over the river
time the cobblestone path that
firms as marks hands gaff tape
on what slips                     this
plane this coil           weeks
     wanting not just this country
to last forever but what seeds
of doubt to be taken by wind
            stolen          by gnats
who sneak and fly into our space
if they could               digest what
we     put down plans to live
here in two years that cannot
come too fast it will arrive
a bullet         train when we are
sleeping on a humid night
in the                    future
                                        our
traveler bags                   brown
    and green     means
the forest meaning         opposite
of          open road if time
were this ambiguous than
I want nothing to do with it
but its hands are in everything
     bugs in the unfinished chianti
     drown        and            nothing
I can do to help
and I don’t want to
      drink   but I do

(originally published in The Round, Spring 2025)

Observation (October 29, 2022)

This matches the atmosphere of pre-pandemic Ineffable Cà Phê–
seated at a mahogany table stealing vibes from strangers. Ahead:
a Jennifer Lawrence doppelgänger wearing monotone, who types
quietly in a portrait mode of cedar wall & soft lights, spooning phở;
next table over, prospective homebuyers: a Kyle Wolff in
a psychedelic Dixie Cup shirt alongside his partner, crumpled over
with a realtor who holds printed-out pages of wanted foundations.
The agent leaves and they scroll Zillow; there is a void where you
used to be; October sixty degrees spent inside, no regrets this
Halloweekend. I spy on everyone. Nebby is what Pittsburgh calls it.
I look up to see a white bowl covering a face, noodles dangling
off lips chased with chop sticks. The amber light’s flatness inspires.
Indie Interpol playlist a throwback to spending days at Muggswiggz
in Canton with Tony, soliciting strangers on Myspace for randomness.
I haven’t changed as much as I wanted. Crumbs from the bread
of my chicken bánh mì, scattered across my laptop. I swipe them
away, but dislodge more in the keys the longer I type.

(originally published in Picture Journal, Fall 2024)