I.
stationary at the couch by the window over the street the cars move unseen beneath me in lines in some complex order that means they don’t crash into each other the sound of engines is replaced with repetitive 4/4 pop music snare singer pleading for her lover to return but in Los Angeles who do you return to
II.
locks click from storefront doors a Chinese family appears from behind the off-white pillar the mother in loose pink flowy shirt and dress takes a photo in front of the window her daughter in a white-and-red striped shirt her husband in a blue-and-pink striped shirt so much pink so many binding stripes and the mother captures that lone moment the sky a tender backdrop
III.
a grandma walks a black stroller and makes a soft kind of train noise shh guh shh guh in syncopated beats as she travels in circles the rolling sound of the stroller-like luggage in an airport constant whir her mouth a muted hi-hat to some imaginary beat on her third pass-by the baby in pink stirs and she stops her mouth’s percussion and tends to the baby who is quiet but lifts her arm in the air silhouette to the window of the world cookies and cream loose leggings
IV.
a man in his fifties eats macha ice cream alone near Dillard’s walks in front of a blonde man in a cowboy hat water bottle in hand tying his shoelaces the ice cream man on the other side of the window underneath the Westside Center sign stares at his reflection he moves from the window bits of cone now lodged in his graying mustache
V.
the green palms reflected on the speckled cream floor ripples in a pond blow so gently outside a man with twenty hands and countless fingers dances and puppeteers
VI.
two Mexican women with glowing purses hanging on their right shoulder walk in near-unison one just a half-step ahead until the fast one stops to fix her shoe before walking into Nordstrom glass door squealing open at its most open it sounds like a bad brake on a car the other keeps walking
VII.
older man in a reddish shirt has a chocolate cone at 11:45pm stands on the wide black stripe on the floor in front of the imposing silver pillar that splits in the middle like a buttcrack he stands licking staring forward at TVs that advertise movies now playing in the theaters of his daydreams
VIII.
half of the iPhone billboard outside would be indiscernible half white space stubs of fingers touching green fabric in a lazy V the space below it a half-globe of nothing the squeaking of shoes slowly silence the man in blue beneath as he does not even notice I watch as he tucks his manila folder under his left armpit
IX.
mountains are indiscernible from buildings in the distance curved with specks of white that hint at strange windows or a deepening mist that seem to want to envelop the rest of us and how do we know it won’t
X.
a faraway pedestrian timidly crosses the intersection illegally she slows but proceeds and from my vantage point she crosses to the smell of the soy in the pad see ew that steams in front of me
XI.
the light which hangs above these walls of shades of gray is latticed in spiderweb I cannot tell if the gentle sway-shaking is imaginary or earthquake all these little triangles hovering jittering above me I wonder if this is how the universe actually moves or what it truly looks like
XII.
upside-down reflections of walking legs move as the inverse of walking and sway with a sexy air voluminous breeze parting moving away in a regal but aimless sashay
(originally published in The City Key, Spring 2016)