After a Date at the Culver Hotel Bar

you ask where we should
go and I say drive me
to my car so you
drive me to my car
because I tell you that’s
where I live and of course
you wouldn’t follow
up on this my Ford
Fiesta still smells
sweaty even though
I rent a home now
a compact is too
small to fit what
we’d have to
live with


(originally published in Nauseated Drive, Winter 2022)

Flood

The longer I lived in my car
on the road aimless the more I
wanted to lose myself. Everywhere
was a mirror & the only way to go
was into the murk of past &
uncertainty of tomorrow. It was like
pedaling the gas for days in the mud.
Tires spinning, going nowhere.
The same me to greet at each
destination: The Grand Canyon.
Austin. Keystone Lake
in Oklahoma had drowned itself
in a Paul Klee watercolor. I
wanted its depths as my own.
The pole in the lake.
The pole in the trees.
My eyes in the lake.
My eyes in the sky.

 

(originally published in Plum Tree Tavern, Spring 2019)

Young

I can tell you how many points LeBron scored last night
or who won the World Series,
but I can’t fix the leaking faucet in the bathroom,
won’t mow the lawn if not overgrown.

I don’t change the oil in my Ford
nor bring home a solid paycheck–
but I will live in an apartment
to avoid responsibility.

I’ll pay lots of money to tell
a landlord I can’t do it.

I’ve already lived in a car to avoid the responsibility
of telling a landlord I can’t do it.

I didn’t know how to fix it when it broke down,
and a Samaritan changed my flat tire when I burst it
when turning into a potholed Burger King lot
and I claimed I was about to fix it.

He told me not to pay more than twenty-five dollars for a used tire–
no more than twenty-five dollars, and get the rim hammered out
for free!

I went to the tire shop and paid their thirty-five to avoid conflict.
Wordlessly they stopped eastbound traffic on Pico
and I backed away and left.

One thing I can do well is parallel park,
as if reverse-navigation is worth bragging about

but I’ll take it.

No one has the courage to fit inside this small space.
No one can fit inside here but me

 

(originally published in Literary Yard, Winter 2018)

Two Nightmares in My Car on Rosewood

I.

A shadow figure outside the Ford’s locked door.
He jiggles the handle
hey can you drive me to Santa Clarita
I said no I have been drinking whiskey
which was a lie
he said let me in
I did not

II.

When I wake for a walk in the middle of the night,
clothes bunched on red benches under streetlights
like someone had been there
and disappeared

III.

I call my ex
I can’t stop thinking about you

shadows float from her eyes
into mine

cigarette smoke

bats

understand: we lived
in the cave of each other

IV.

under orange streetlights

blankets hang from headrests
to drape me from the world

 

(originally published in The Nottingham Review, Fall 2017)

Rotor

If you drive a car whose
combustion confuses fuel

for air, the engine will quiver
along smooth concrete.

At certain speeds, a clanking
rotor is similar

to the natural cadence
of heartbeats in embrace:

amplitude becomes a deafening
in the stillness of night.

Let a rotating machine of mass
be mounted on a stiff spring

to fix support. The pieces
must move vertically in

a single degree of freedom
even if the rotor is unbalanced,

its hypnotic center missing
one valve’s intake,

forgetting the other’s exhaust.

 

(originally published in Lakeview International Journal of Literature and Arts, Summer 2017)

East Through California

I argue with the music in my car again
those rock’n’roll pots and pans clanging
in the soup kitchen of my imagination
the Steel Reserve of my rumba rumblin’
stomach unfilled from Maruchan ramen

really I’m running from anything but home:
in the apartment of my car the desert’s
a sandstorm of faulty A/C and mountains
obscuring the view of my future and
there’s nowhere else to go but here

 

(originally published in Outcast Poetry, Spring 2017)

Fog

We inhaled fog on the Golden Gate
along with traffic exhaust.
Foghorns cried names
we did not recognize.
Car horns, names we gave ourselves.
From this high, you said, there is no good
way to fall. We scrunched our fingers
to encapsulate the small
fragility fog brings– how, in a moment,
everything can change / fog
of ghosts rippling waves from long-
passed boats / fog of sitting in silence,
windows down / fog of steel cable’s
fading red / fog of missing
what we lost while sun cuts a way

 

(originally published in Eunoia Review, Fall 2016)