Young Skeletons

the baristas grind bones into coffee
in these cafes I call skeleton closets

this golden-brown-haired babe stands by my table
her laced leggings draw desire with a fine ballpoint pen

her head whips to me from some psychic seventh sense
she is my ex-girlfriend’s brother’s future ex

her eyes descend as B-movie UFOs
attraction vacuums neatly into a plastic bag

she sits with me like a pocketed thunderstorm
galvanized on The Great Wall of Chain-Link

you must believe me she says
there are no hard feelings

a poacher must say the same
beside a rhino’s castrated face

she asks if I come here often
I say I come hard everyday

just the flickering moon will summon the wolf
and we emulate its growls in fluorescent light

time is our species’ one enduring invention
a new carcass will not survive the night

so hold on to your corpse for as long as you can
until we mourn with our friends the forgetting

(originally published in The Broken Plate, Spring 2016)

Dog on the Patio

Whenever I let the dog out
onto our small back patio
on sunny afternoons
and he lays on familiar brick

scratching his ears,
nose curious and wandering,
I remember my father

who, in the endless days of retirement,
learned the lawn better
than his calloused palms:

every humpbacked tree and drooping limb,
every snake and gopher hole,
every new and fallen anthill,
every cobweb on the lamppost,

where to find toads after rain,
how to catch them–

when he did not strive to create utopia
by chiseling trees into magazine models,

I often found him on a patch
of freshly-mown grass,
scratching his smoky, sun-basked beard,

waiting for the wind to speak,
to say more to him than I ever did.

 

(originally published in Black Elephant Lit, Spring 2016)

The Sacrament of Confession in Catholic School

In kindergarten, I sketched a vagina as a circle
lost in strands of hair, similar to a scribbled sun.

The inklings of want would soon
set sail. When I showed the drawing

to my mother, she somehow knew what it was.
Her suspicious eye taught me life is the pursuit

of the scribbled sun. The first time I drove a car alone,
zooming up the hill toward the highway, I took pictures

of the sunset without watching the road, as if heaven
could be captured with my own fingers. At sixteen

I stole Snickers bars at my first job. The dollar store
went under. It could have been worse. I told the priest

maybe God thinks I touch myself improperly.
He said to toss the dirty magazines, meaning

I didn’t change a thing. In marching band, I pressed
my mouth against the trombone’s silver mouthpiece

and kissed when I blew, spit coursing through the instrument’s body
until it dripped onto the checkered floor. I didn’t lose my virginity

too early. By then it was too late. I have seen the L.A. River
rub itself dry beneath the metal bridges, withered and silent,

while the ocean wets perpetual sand, and all I could do
was run my fingers through the tide’s receding hair.

In seventh grade the school librarian declared if anyone
in class could finish A Tale of Two Cities, it was me.

I did not finish. I was twelve and mastering arousal,
turning pages with fingers on thighs inside of skirts,

skulking my hand up to God, to the first time
I knew sanctity– and the feeling, unlike faith,

was enough to make me believe.

 

(originally published in Corium Magazine, Spring 2016)

1st & Delaware

wandered along the avenue to find Kurt
sitting at the mountain of a three-step staircase
don’t come up here he laughed
but the neighborhood spun faster
than the blue room I escaped
so I continued to High along the alleys
of wafting leaked gasoline and nectars
of dried roses this was not spring
but the cold allowed me briskly hack time
in a direction indicating forward
where I pleat the confines of the sidewalk’s
imaginary boundaries I drifted from
but felt motionless and free

 

(originally published in The City Key, Spring 2016)

“I Wish I Knew How to Quit You,” Says the Moon

We know it is us
who wish to quit the moon.

We close our eyes our jaggedness
could drive the sun away but never
in the way our metaphors could.

Still we write the moonlight
into the sand and growl
at the tide

and again
when the tide returns.

We cry from the shape
our lives took to intersect–

an hourglass
filled with sugar,
or a snail. Or a million

hourglasses, a million snails,
a million glimmering shells
in a measured slowness.

You were talking about the sunrise–
but I never wanted to look.

 

(originally published in Thin Air, Spring 2016)

Short Return to LA

With every step, the air parted
and spoke your name.
Smog and all, would you forget

the jagged alleys where
we fermented, became wine?
Its knife cut ribbons, red

repelling the pressure of four A.M breathing.
Driving home from San Francisco down the coast,
each Joshua tree prayed

to a vastness greater than the desert.
The long, Pacific vistas became the sheen
of old Mustangs caught beneath shadows

of Wilshire’s vacant towers.
Our heels kicked dust
and browned the sky–

ever were the hours sand
on the beach, infinite and pearling
a microscopic glint…

the ocean still haunts–
its salt so embedded
in our skin.

 

(originally published in Rust+Moth, Spring 2016)

Happy Hour Whiskey

I don’t think my dad would be proud of me
writing poems on bar napkins
after that fifth happy hour whiskey.

This is how I want it: to be disengaged
by the time my uniform cuffs roll
to my eyes in stupor to avoid the

solemn eyes of ancestors in the sky.
Transparent Mufasas and steely voices
judge me like America judges Kardashians.

The reality is you can rewind the DV tape
back to the beginning tomorrow and show me
the footage of my stumbling into the driver’s seat.

The cosmos roll in their graves.
Meanwhile I am the last child
who can cast the line onward–

past, present, future.
A syzygy from birth.
The headlights wane.

 

(originally published in Jawline Review, Spring 2016)